Football has come to the ancient city of Ankh-Morpork — not the old fashioned, grubby pushing and shoving, but the new, fast football with pointy hats for goalposts and balls that go gloing when you drop them. And now, the wizards of Unseen University must win a football match, without using magic, so they're in the mood for trying everything else. The prospect of the Big Match draws in a street urchin with a wonderful talent for kicking a tin can, a maker of jolly good pies, a dim but beautiful young woman, who might just turn out to be the greatest fashion model there has ever been, and the mysterious Mr Nutt (and no one knows anything much about Mr Nutt, not even Mr Nutt, which worries him, too). As the match approaches, four lives are entangled and changed for ever. Because the thing about football — the important thing about football — is that it is not just about football. Here we go! Here we go! Here we go!
This book is dedicated to Rob Wilkins, who typed most of it and had the good sense to laugh occasionally. And to Colin Smythe for his encouragement.
The chant of the goddess Pedestriana is a parody of the wonderful poem ‘Brahma’ by Ralph Waldo Emerson, but of course you knew that anyway.
It was midnight in Ankh-Morpork’s Royal Art Museum[1].
It occurred to new employee Rudolph Scattering about once every minute that on the whole it might have been a good idea to tell the Curator about his nyctophobia, his fear of strange noises and, he now knew, his fear of absolutely every thing he could see (and, come to that, not see), hear, smell and feel crawling up his back during the endless hours on guard during the night. It was no use telling himself that everything in here was dead. That didn’t help at all. It meant that he stood out.
And then he heard the sob. A scream might have been better. At least you are certain when you’ve heard a scream. A faint sob is something you have to wait to hear again, because you can’t be sure.
He raised his lantern in a shaking hand. There shouldn’t be anyone in here. The place was securely locked; no one could get in. Or, now he came to think about it, out. He wished he hadn’t thought about it.
He was in the basement, which was not among the most scary places on his round. It was mostly just old shelves and drawers, full of the things that were almost, but very definitely not entirely, thrown away. Museums don’t like things to be thrown away, in case they turn out to be very important later on.
Another sob, and a sound like the scraping of… pottery?
A rat, then, somewhere on the rear shelves? Rats didn’t sob, did they?
‘Look, I don’t want to have to come in there and get you!’ said Scattering with heartfelt accuracy.
And the shelves exploded. It seemed to him to happen in slow motion, bits of pottery and statues spreading out as they drifted towards him. He went over backwards and the expanding cloud passing overhead crashed into the shelves on the other side of the room, which were demolished.
Scattering lay on the floor in the dark, unable to move, expecting at any moment to be torn apart by the phantoms bubbling up from his imagination…
The day staff found him there in the morning, deeply asleep and covered in dust. They listened to his garbled explanation, treated him kindly, and agreed that a different career might suit his temperament. They wondered for a while about what he had been up to, night watchmen being rather puzzling people at the best of times, but put it out of their heads… because of the find.
Mr Scattering then got a job in a pet shop in Pellicool Steps, but left after three days because the way the kittens stared at him gave him nightmares. The world can be very cruel to some people. But he never told anyone about the gloriously glittering lady holding a large ball over her head who smiled at him before she vanished. He did not want people to think he was strange.
But perhaps it is time to talk about beds.
Lectrology, the study of the bed and its associated surroundings, can be extremely useful and tell you a great deal about the owner, even if it’s only that they are a very knowing and savvy installations artist.
The bed of Archchancellor Ridcully of Unseen University, for example, is at the very least a bed and a half, being an eight-poster. It encompasses a small library and a bar, and artfully includes a shut-away privy, of mahogany and brass throughout, to save those long cold nocturnal excursions with their concomitant risk of tripping over slippers, empty bottles, shoes and all the other barriers presented to a man in the dark who is praying that the next thing that stubs his toe will be porcelain, or at least easy to clean.
The bed of Trevor Likely is anywhere: a friend’s floor, in the hayloft of any stable that has been left unlocked (which is usually a much more fragrant option), or in a room of an empty house (though there are precious few of those these days); or he sleeps at work (but he is always careful about that, because old man Smeems never seems to sleep at all and might catch him at any time). Trev can sleep anywhere, and does.
Glenda sleeps in an ancient iron bed[2], whose springs and mattress have gently and kindly shaped themselves around her over the years, leaving a generous depression. The bottom of this catenary couch is held off the floor by a mulch of very cheap, yellowing romantic novels of the kind to which the word ‘bodice’ comes naturally. She would die if anyone found out, or possibly they will die if she finds out that they have found out. Usually there is, on the pillow, a very elderly teddy bear called Mr Wobble.
Traditionally, in the lexicon of pathos, such a bear should have only one eye, but as the result of a childhood error in Glenda’s sewing, he has three, and is more enlightened than the average bear.
