Here is the same story as you might have heard it, told from alternative points of view.
A young boy grows up with a mother whom he idolises and a father he can barely believe is his own. They argue a great deal, and when not arguing they are often silent. While good-intentioned, the father lacks imagination, emotional intelligence or empathy or some such stuff. Consequently the parents’ marriage is full of tension and unspoken resentment, and the boy longs to escape. Like many teenagers, he is a little pretentious and irresponsible, and is keen to get on with life and find out who he really
I believe such stories are called coming-of-age stories. I can see the appeal of that mixture of idealism, cynicism, narcissism and self-righteousness, with some sex and drugs thrown in. It’s not really my thing, perhaps because I’ve never understood that ‘who am I?’ question. Even as a teenager I always knew who I was, even if I didn’t much care for the answer. But I can see that Albie’s concerns were somewhat greater than my own. I can see how that story might have been of interest to some.
If not, how about this one?
A young artist — beautiful, witty, a little insecure — leads a wild and irresponsible life with her temperamental but talented boyfriend. They argue violently and break up for the last time and soon after, at a party, she meets another man, a scientist this time, passably attractive, a little conventional perhaps, but nice enough, and they begin a relationship. This man is reliable, intelligent and clearly adores her, and they fall in love. But when he asks her to marry him she hesitates. What about her work, what about the passion and unpredictability of her earlier life? Pushing these doubts aside, she says yes. They marry and for a while they are happy. But their first child dies and their second child is a source of tension. Questions arise in her mind. What about her ambitions as a painter? What about her old life? Her husband is loyal and decent and loves her very much, but her days are now provincial and dull and when the time is right, she summons up all her courage, wakes him in the night and announces her intention to leave. He is heartbroken, of course, and his heartbreak causes her some sadness too. Life alone is difficult for both of them. He asks her to return and she is tempted.
But despite its occasional loneliness there is something thrilling about her new life in a little London flat, about starting to paint again. She resists her husband’s pleas. He gets to keep the dog. She is fifty-two years old, uncertain of the future but happy to be alone.
But then — and here comes the late twist — one night at an old friend’s party in London she meets her former lover. He is not the wild, arrogant artist that he used to be. Now he makes an erratic living as a car mechanic, living out on the North Yorkshire moors, still painting brilliantly in his spare time but chastened by his past, the boozing and sleeping around, and full of regret and humility.