And then, as living proof of the efficacy of virgin love, there emerged in the sixteenth century a mysterious woman who became known in fact and legend as the Virgin of Venice. She appeared from nowhere. She began cooking for hundreds of homeless people, every day, in one of the public squares; she begged from the rich to feed the poor, and such was the force of her example that a permanent institution was found for the dispossessed named the Ospedaletto dei Derelitti. She uttered prophecies concerning Venice, the first of which began with the declaration that “The beginning of the Reformation of the world will take place in Venice.” She called both herself and the city Jerusalema Ponentina, and as a result in sixteenth-century literature Venice became known as the New Jerusalem. The artificial city was also the archetypal city.

Michael Kelly, an Irish tenor who lived in Venice a century earlier than Henry James, declared that the city was “the paradise of women, and the Venetian woman worthy of a paradise.” Note that for him it is a paradise of, rather than for, women. Mrs. Thrale, in the same century, remarked more astringently of the Venetian woman that “the government knows every pin she wears and where to find her at any moment of the day or night.” This sense of watchfulness, and of close scrutiny, is part of the truth. The patrician women stayed out of sight; they appeared in public only on ritual occasions, and if they ever did stray from home they were accompanied by servants. They always wore veils. Theirs was an almost eastern seclusion.

The women of the middle and lower classes possessed considerably more freedom of movement. Peasant women brought their produce to market, and the “middling sort” (to use an ancient phrase) often worked in their husbands’ shops or studios. Women are listed in the public records as linen-makers, bakers, spice-sellers and cobblers. It was often said that Venetian females were stronger, and hardier, than the males.

A Venetian wife was not considered legally to be part of her husband’s family; she remained within the family of her father. Marriages were arranged between families rather than between individuals. In public documents the woman was known only in relation to her father or her husband. There were more severe restrictions. In a statute of the fifteenth century, adultery, on the woman’s part, sometimes merited the death penalty.

Yet legal convention is not everything. It was widely reported that Venetian women commanded much authority at home. It is clear from testamentary bequests that, after the death of husbands or fathers, women of the upper and middle classes could often accumulate great wealth. There were also institutions, such as the singing schools, that consolidated the female presence in the city. The female servants or concubines of the Venetian priests often became the matriarchs of the local church, ministering to the community. There were also “wise women” and healers known in every neighbourhood. In such a superstitious place as Venice, they were fully employed.

There were many other social ties between women. The patrician females in one district, for example, might act as patrons to younger and poorer girls. The plays of Goldoni, and the memoirs of Venetian citizens, reveal a close-knit parish community of servants, neighbours and friends who would stand on the thresholds of their houses or cluster around the well-head to exchange news and gossip. There was not the sense of privacy that obtained in England or in northern Europe. If a husband was beating his wife unduly or unjustly, according to the standards of the time, he would become the target for abuse and even prosecution. In Venice it was the society that determined individual behaviour. The parish was essentially the female preserve in a male city; where the public areas were dominated by men, the private and domestic spaces were the realm of women. The parish was the place where they bartered, bought and sold, exchanged services. This arrangement satisfied all parties, and to a large extent maintained and consolidated the famous harmony of Venetian society.

Yet women had one crucial advantage. On marriage, they brought their dowries with them. There was always a dowry. It was the central feature of marital negotiation, in the marriages of the working people as well as of the nobles and merchants. One old Venetian song asks the question. “How many merchants got their start with dowries they were paid?” Yet although the dowries were in the control of the husband during his lifetime they were returned, at his death, to the wife to manage as she pleased. Most females became brides at the age of fourteen or fifteen; their spouses tended to be twenty-nine or thirty. Since the women were younger, they were likely to live longer. Some women became very rich. So even if they were invisible, they were still influential.

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