The address Abner had given me for Rhoda Gibson, widow of the departed corpse, was in a row of brown-stones close to one of the city’s five universities, and about ten blocks from his funeral home. I located the building, and then drove around the block twice before I found a parking space. The car I drive is a 1973 450SL Mercedes-Benz, a gift from a grateful German countess for whom I’d recovered $700,000 worth of jewels stolen from her hotel room. I always leave it unlocked when I park it on any city street. The steering wheel locks when the ignition key is removed, and so I’m never worried that someone’s going to drive off with the car. But if a booster wants to steal my radio, I’d rather he simply opened an unlocked door, instead of slashing my convertible top to steal the radio, anyway.
1214 Matthews was the third brownstone in from Cooper Street, a stately three-story building with wide white steps leading up to the entrance door. As I approached the building, I saw a bearded young giant of a man inserting a key into the outer vestibule door at the top of the steps. He was wearing dungaree trousers, a pullover sweater, and track shoes. His hair and his beard were red. Since he seemed to fit the description Abner had given me of Jeffrey Gibson, the dead man’s son, and since he was inserting a key into the door of Rhoda Gibson’s residence, I came to a not spectacularly brilliant conclusion, started up the steps, and said, “Mr. Gibson?”
Mr. Gibson (or whoever he was) turned from the door. I recognized the look in his eyes an instant before it was too late. The look was one of total panic. His right hand yanked up the ribbed bottom of his sweater, I saw the butt of a revolver sticking up out of the waistband of his dungarees, and then the revolver was in his hand. I was at a decided disadvantage, being two steps lower than the gun and the man. I hurled myself up and forward, grabbing him around the knees and knocking him off balance, and together we came rolling down the steps and onto the sidewalk.
If there’s one thing I detest, it’s any kind of sweaty combat. The day I’d had my cheek permanently adorned, I’d struggled for a good ten minutes in embrace with a man holding a six-inch-long switchblade knife and intent on taking out my liver and intestines, though he wasn’t licensed to practice medicine in this city. I’d clung to his wrist for what seemed an eternity, and had managed—but only
As Jeffrey Gibson (or whoever he was) struggled to get the pistol in firing position while I kept a tight grip on his wrist, and as
“All right?” I said.