Greenfield-Sanders, Timothy, and Robert Pincus-Witten. The Ninth Street Show. Toronto: Lumiere Press, 1987.
Greer, Germaine. The Female Eunuch. London: Fourth Estate, 2012.
Greer, Germaine. The Obstacle Race: The Fortunes of Women Painters and Their Work. New York: Farrar, Straus and Giroux, 1979.
Grimes, William. “Harry Jackson, Artist Who Captured the West, Dies at 87.” New York Times, April 28, 2011.
Gruen, John. The Party’s Over Now: Reminiscences of the Fifties – New York’s Artists, Writers, Musicians, and their Friends. New York: Viking Press, 1972.
Gruson, Lindsey. “Is it Art or Just a Toilet Seat? Bidders to Decide on a de Kooning.” New York Times, January 15, 1992.
Guggenheim, Peggy. Out of this Century: Confessions of an Art Addict. London: André Deutsch Limited, 1980.
Haden Guest, Hadley, ed. The Collected Poems of Barbara Guest. Middletown, CT: Wesleyan University Press, 2008.
Halberstam, David. The Fifties. New York: A Fawcett Columbine Book, 1993.
Hall, Donald, and Pat Corrington Wykes, eds. Anecdotes of Modern Art: From Rousseau to Warhol. New York: Oxford University Press, 1990.
Hall, Lee. Betty Parsons: Artist, Dealer, Collector. New York: Harry N. Abrams, Inc., 1991.
Hall, Lee. Elaine and Bill: Portrait of a Marriage. New York: Cooper Square Press, 2000.
Hallgren, Mauritz A. Seeds of Revolt: A Study of American Life and the Temper of the American People During the Depression. New York: Alfred A. Knopf, 1933.
Hamill, Pete. “Beyond the Vital Gesture.” Art & Antiques 7, no. 5 (May 1990).
Hampson, Robert, and Will Montgomery, eds. Frank O’Hara Now: New Essays on the New York Poet. Liverpool: Liverpool University Press, 2010.
Harap, Louis. Social Roots of the Arts. New York: International Publishers, 1949.
Harris, Mary Emma. The Arts at Black Mountain College. Cambridge, MA: The MIT Press, 1987.
Harrison, Helen A. Larry Rivers. New York: An ArtNews Book, Icon Editions, Harper & Row, Publishers, 1984.
Harrison, Helen A. East Hampton Avant-Garde: A Salute to the Signa Gallery, 1957–1960. East Hampton, NY: Guild Hall Museum, August 12 – September 23, 1990.
Harrison, Helen A., and Constance Ayers Denne. Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach. San Francisco: Chronicle Books, 2002.
Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. New York: Penguin, 1974.
Hauptman, William. “The Suppression of Art in the McCarthy Decade.” ArtForum 12, no. 2 (October 1973).
Hauser, Arnold. From Prehistoric Times to the Middle Ages. Vol. 1 of The Social History of Art. London: Routledge, 1999.
Hauser, Arnold. Naturalism, Impressionism: The Film Age. Vol. 4 of The Social History of Art. New York: Routledge, 1999.
Hauser, Arnold. Renaissance, Mannerism, Baroque. Vol. 2 of The Social History of Art. London: Routledge, 1999.
Hauser, Arnold. Rococo, Classicism and Romanticism. Vol. 3 of The Social History of Art. London: Routledge, 1999.
Heartney, Eleanor. “How Wide Is the Gender Gap?” ArtNews 86, no. 6 (Summer 1987).
Heilbut, Anthony. Exiled in Paradise: German Refugee Artists and Intellectuals in America, from the 1930s to the Present. New York: Viking Press, 1983.
“Helen Frankenthaler: A Retrospective.” Modern Art Museum of Fort Worth, September – October 1989 Calendar, Office of the Director.
Hellstein, Valerie. “Grounding the Social Aesthetics of Abstract Expressionism: A New Intellectual History of the Club.” PhD dissertation, Stony Brook University, 2010.
Henry, Gerrit. “Jane Freilicher and the Real Thing.” ArtNews 84, no. 1 (January 1985).
Herrera, Hayden. Arshile Gorky: His Life and Work. London: Bloomsbury, 2003.
Herrera, Hayden. “John Graham: Modernist Turns Magus.” Arts Magazine 51, no. 2 (October 1976).
