Ambulance. Good idea. And here’s something hilarious. I’d been in Derry-in 1958 -for almost two months, but I still plunged my hand into my right front pants pocket, where I always kept my cell phone when I wasn’t wearing a sport coat. My fingers found nothing there but some change and the keys to the Sunliner.

“Sorry, Turcotte. You were born in the wrong era for instant rescue.”

“What?”

According to the Bulova, The New Adventures of Ellery Queen was now being telecast to a waiting America. “Tough it out,” I said, and shoved through the hedge, the hand not holding the gun raised to protect my eyes from the stiff, raking branches.

<p>11</p>

I tripped over the sandbox in the middle of the Dunning backyard, fell full length, and found myself face-to-face with a blank-eyed doll wearing a tiara and nothing else. The revolver flew out of my hand. I went searching for it on my hands and knees, thinking I would never find it; this was the obdurate past’s final trick. A small one, compared to raging stomach flu and Bill Turcotte, but a good one. Then, just as I spotted it lying at the edge of a trapezoidal length of light thrown by the kitchen window, I heard a car coming down Kossuth Street. It was moving far faster than any reasonable driver would have dared to travel on a street that was no doubt full of children wearing masks and carrying trick-or-treat bags. I knew who it was even before it screeched to a stop.

Inside 379, Doris Dunning was sitting on the couch with Troy while Ellen pranced around in her Indian princess costume, wild to get going. Troy had just told her that he would help eat the candy when she, Tugga, and Harry came back. Ellen was replying, “No, you won’t, dress up and get your own.” Everybody would laugh at that, even Harry, who was in the bathroom taking a last-minute whiz. Because Ellen was a real Lucille Ball who could make anybody laugh.

I snatched at the gun. It slipped through my sweat-slick fingers and landed in the grass again. My shin was howling where I’d barked it on the side of the sandbox. On the other side of the house, a car door slammed and rapid footsteps rattled on concrete. I remember thinking, Bar the door, Mom, that’s not just your bad-tempered husband; that’s Derry itself coming up the walk.

I grabbed the gun, staggered upright, stumbled over my own stupid feet, almost went down again, found my balance, and ran for the back door. The cellar bulkhead was in my path. I detoured around it, convinced that if I put my weight on it, it would give way. The air itself seemed to have turned syrupy, as if it were also trying to slow me down.

Even if it kills me, I thought. Even if it kills me and Oswald goes through with it and millions die. Even then. Because this is now . This is them.

The back door would be locked. I was so sure of this that I almost tumbled off the stoop when the knob turned and it swung outward. I stepped into a kitchen that still smelled of the pot roast Mrs. Dunning had cooked in her Hotpoint. The sink was stacked with dishes. There was a gravy boat on the counter; beside it, a platter of cold noodles. From the TV came a trembling violin soundtrack-what Christy used to call “murder music.” Very fitting. Lying on the counter was the rubber Frankenstein mask Tugga meant to wear when he went out trick-or-treating. Next to it was a paper swag-bag with TUGGA’S CANDY DO NOT TOUCH printed on the side in black crayon.

In his theme, Harry had quoted his mother as saying, “Get out of here with that thing, you’re not suppose to be here.” What I heard her actually say as I ran across the linoleum toward the arch between the kitchen and the living room was, “Frank? What are you doing here?” Her voice began to rise. “What’s that? Why have you… get out of here! ”

Then she screamed.

<p>12</p>

As I came through the arch, a child said: “Who are you? Why is my mom yelling? Is my daddy here?”

I turned my head and saw ten-year-old Harry Dunning standing in the door of a small water closet in the far corner of the kitchen. He was dressed in buckskin and carrying his air rifle in one hand. With the other he was pulling at his fly. Then Doris Dunning screamed again. The other two boys were yelling. There was a thud-a heavy, sickening sound-and the scream was cut off.

“No, Daddy, don’t, you’re HURRRTING her!” Ellen shrieked.

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