. New York: Van Nostrand Reinhold Co., 1976. The Robert Breer section (pp. 131136) includes Guy L. Cote, "Interviews with Robert Breer" (reprinted from
); Breer, "A Statement" (reprinted from
no. 29); and "Interview with Robert Breer" (reprinted from
5, no. 2 Summer 1974).
Sitney, P. Adams. "The Achievement of American Avant-Garde Cinema 19601970." In "
eds. Jonas Mekas and Sitney, pp. 2426. A catalogue for a show at Moderna Museet, Stockholm, Sweden, February 16April 4, 1980. Stockholm: Moderna Museet, 1980.
. "The Films of Robert Breer." In
ed. Annette Michelson, pp. 4549. A catalogue for an exhibition of North American avant-garde film, Montreux, Switzerland, Aug. 324, 1974. Montreux, Switzerland: Imprimerie Corbaz, 1974.
.
. New York: Oxford University Press, 1974, pp. 313332, other references.
Su Friedrich
Beroes, Stephanie. "Interview with Su Friedrich."
no. 2 (1986): 6871.
Camper, Fred. "Daddy's Girl."
20, no. 18 (Feb. 8, 1991): 12, 1718.
Friedrich, Su. "Radical Form: Radical Content."
no. 22 (Winter/Spring 198990): 118123.
. "(Script) for a Film without Images."
no. 1 (Spring 1984): 111.
Hanlon, Lindley. "Female Rage: The Films of Su Friedrich."
no. 12 (Fall/Winter 198283): 7886.
Jenkins, Bruce. "Gently Down the Stream."
nos. 1618 (Fall/Winter 198687): 195199.
Page 441
Kruger, Barbara. "The Ties That Bind."
no. 23 (October 1984): 89.
MacDonald, Scott. "Su Friedrich: Reappropriations."
41, no. 2 (Winter 198788): 3443.
Anthony McCall
Ehrenberg, Felipe. "On Conditions."
(March 1973): 3943.
McCall, Anthony.
. New York: The Catalogue Committee of Artists Meeting for Cultural Change, 1977.
. "Interview: Formalist Cinema and Politics."
1, no. 3 (Winter 1977): 5161. Includes statements on
and other "Cone" films, on
and
and an interview with McCall by Gautam Dasgupta.
. "Film as a Connective Catalyst." Paper delivered at International Forum of Avant-Garde Film, Edinburgh Film Festival, 1976.
. "Two Statements." In
ed. P. Adams Sitney, pp. 250254. New York: New York University Press, 1978.
, and Andrew Tyndall.
. A catalogue published in several versions on the occasion of screenings of the film
. First edition: August 1978 (for Edinburgh International Film Festival and London Filmmakers' Co-operative); Second edition: October 1978 (for The Collective for Living Cinema and Millennium Film Workshop in New York and Media Study-Buffalo); Third edition: March 1979 (for Temple University Conference on Culture and Communication, International Film Theory Conference 5, University of Wisconsin-Milwaukee, and Chicago Filmmakers). The final edition includes essays by McCall and Tyndall, Jane Weinstock, David Himelfarb, and Claire Pajaczkowska.
MacDonald, Scott. "Text as Image." P. 13.
Ross McElwee
Edelstein, David. "A Date with History."
September 9, 1986, pp. 5456.
Hoberman, J. "I Sync Therefore I Am."
September 9, 1986, pp. 5456.
Jonas Mekas
Briggs, Judith E.
. A Film in the Cities Monograph. Minneapolis/St. Paul: Film in the Cities/Walker Art Center, 1980.
. Mekas is the founder and editor of
. He has written many editorials for the journal and has conducted many interviews. An index to
is available at Anthology Film Archives, 3234 First St., New York, N.Y. 10003.
James, David.
. Pp. 100119.
MacDonald, Scott. "Lost Lost Lost over
25, no. 2 (Winter 1986): 2034.
Mekas, Jonas. "Anti-Workers Manifesto."
2, no. 3 (Fall 1980): 1415.
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. "A Call for a New Generation of Film-makers."
no. 19 (1959): 12.
. "Diaries. Installment One"; "Diaries. Installment Two."
1, no. 3; 2, no. 1 (Spring 1977; Winter 1979): 3352; 3345.
. "The Diary Film." In
ed. P. Adams Sitney, pp. 190198. New York: New York University Press, 1978.
. "From the Diaries." In
ed. Melinda Ward, Bruce Jenkins, pp. 411. Buffalo/Minneapolis: Media StudyBuffalo/Walker Art Center, 1982.
.
