Understand Your Dreams: 1001 Basic Dream Images and How to Interpret Them

. New York: H. J. Kramer, 1991.

Michael Snow

Cornwell, Regina.

Snow Seen: The Films and Photographs of Michael Snow

. Toronto: Peter Martin, 1980.

De Lauretis, Teresa. "Snow on the Oedipal Stage." In

Alice Doesn't: Feminism

Page 446

Semiotics Cinema,

by De Lauretis, pp. 7083. Bloomington: Indiana University Press, 1982.

Dompierre, Louis.

Walking Woman Works: Michael Snow 196167

. Catalogue for a traveling show. Kingston, Ontario: Agnes Etherington Art Centre, 1983. Includes extensive photo documentation of the Walking Woman, a detailed Walking Woman chronology, and essays by Snow, Peter Morris.

Elder, R. Bruce.

Image and Identity

. Chaps, 8, 10, 12, 14.

Field, Simon, Guy L'Eclair, Michael O'Prag, eds.

Afterimage,

no. 11 (1975, "Sighting Snow"). Includes a detailed, annotated filmography by Snow, "A Conversation between Snow and R. Bruce Elder," and essays by Field, Nicky Hamlyn, O'Prag, and Jonathan Rosenbaum.

Film Culture,

no. 46 (Autumn 1967published October 1968). Includes Ninth Annual Film Award (to Snow); a statement and a letter by Snow; a conversation with Snow, Jonas Mekas, and P. Adams Sitney; and an essay on

Wavelength

by Bob Lamberton.

Gidal, Peter, ed.

Structural Film Anthology

. London: British Film Institute, 1978. Includes an interview by Simon Hartog, a letter to Gidal from Snow, and essays by Annette Michelson and Gidal.

Lehman, Peter. "The Nature of the Material: An Interview with Michael Snow."

Wide Angle

7, nos. 1 & 2 (1985)' 92100.

Sitney, P. Adams. "Michael Snow's Cinema." In

The Essential Cinema,

ed. P. Adams Sitney, pp. 219229. New York: Anthology Film Archives, 1975.

Snow, Michael.

Cover to Cover

. Halifax/New York: Press of Nova Scotia College of Art and Design/New York University Press, 1975.

.

Michael Snow/A Survey

. Catalogue for show at Art Gallery of Ontario, February 14March 15, 1970. Toronto: Art Gallery of Ontario, 1970. Includes extensive photos by Snow and others, and essays by Robert Fufard, Dennis Young, Richard Foreman, and P. Adams Sitney.

. "Two Letters and Notes on Films." In

The Avant-Garde Film: A Reader of Theory and Criticism,

ed. P. Adams Sitney, pp. 184189. New York: New York University Press, 1978. Volume also includes Annette Michelson, "Toward Snow."

Trinh T. Minh-ha

Trinh includes a bibliography of her writings in her

Women, Native, Other

(Bloomington/Indianapolis: Indiana University Press, 1989), pp. 167168.

Trinh, Minh-ha T. "Mechanical Eye, Electronic Ear and the Lure of Authenticity."

Wide Angle

6, no. 2 (Summer 1984).

. "Questions of Images and Politics."

The Independent

10, no. 4 (May 1987).

. "On the Politics of Contemporary Representation." In

Discussions in Contemporary Culture,

ed. Hal Foster. Seattle: Bay Press, 1987.

. "Outside In Inside Out." In

Questions of Third Cinema,

by Jim Pines and Paul Willemen, pp. 133149.

Page 447

. "On

Naked SpacesLiving Is Round." Motion Picture,

no. 1 (Spring 1986): 13.

. Script of

Reassemblage. Camera Obscura,

no. 13/14 (1985): 104111.

. Script of

Naked SpacesLiving Is Round. Cinematograph

3 (1988): 6579.

.

When the Moon Waxes Red: Representation, Gender and Cultural Politics

. New York/London: Routledge, 1991.

, and Jean-Paul Bourdier.

African Spaces: Designs for Living in Upper Volta

. New York: Holmes & Meir, 1985.

Peckham, Linda. "Peripheral Vision: Looking at the West through

Reassemblage." Cinematograph,

no. 2 (1986): 15.

Stephenson, Rob. "Interview with Trinh T. Minh-ha."

Millennium,

no. 19 (Fall/Winter 198788): 122129.

Peter Watkins

James M. Welsh's

Peter Watkins: A Guide to References and Resources

(Boston: G. K. Hall, 1986) provides a complete, annotated listing of publications by and about Watkins, and interviews with him, up through 1985. Welsh's book also includes the most detailed Watkins filmography up through 1977, and a biographical and a critical survey.

Gomez, Joseph A.

Peter Watkins

. Boston: Twayne, 1979.

MacDonald, Scott. "Conspicuous Consumption: The 1987 Flaherty Film Seminar."

The Independent

11, no. 2 (March 1988): 1217.

. "The Means Justify the Ends: Peter Watkins, from

The War Game

to

The Journey." Afterimage

Перейти на страницу:

Поиск

Все книги серии A Critical Cinema

Похожие книги