The pseudoscorpion,
After an hour or more of dancing, the female inevitably succumbs, convinced by the dance steps that her companion’s species matches her own. The male deposits a packet of sperm on the ground that has been cleared of debris by their dancing feet. His claws quiver as he draws her forward, positioning her over the package of sperm. Willing at last, she presses her genital pore to the ground and takes the sperm into her body.
Biology texts note that the male scorpion’s claws tremble as he dances, but they do not say why. They do not speculate on his emotions, his motives, his desires. That would not be scientific.
I theorize that the male pseudoscorpion is eager. Among the everyday aromas of mole shit and rotting vegetation, he smells the female, and the perfume of her fills him with lust. But he is fearful and confused: a solitary insect, unaccustomed to socializing, he is disturbed by the presence of another of his kind. He is caught by conflicting emotions: his all-encompassing need, his fear, and the strangeness of the social situation.
I have given up the pretense of science. I speculate about the motives of the pseudoscorpion, the conflict and desire embodied in his dance.
I put the penis on my first robot as a kind of joke, a private joke, a joke about evolution. I suppose I don’t really need to say it was a private joke—all my jokes are private now. I am the last one left, near as I can tell. My colleagues fled—to find their families, to seek refuge in the hills, to spend their last days running around, here and there. I don’t expect to see anyone else around anytime soon. And if I do, they probably won’t be interested in my jokes. I’m sure that most people think the time for joking is past. They don’t see that the bomb and the war are the biggest jokes of all. Death is the biggest joke. Evolution is the biggest joke.