Datlow sitting at her desk in the OMNI offices in 1981, roughly a year after she began working there. On her desk is a Kaypro computer and the Selectric typewriter she kept for addressing envelopes. On her bulletin board she pinned, among other things, a photo of King Kong climbing the Empire State Building.Datlow in 1989, on the roof of the building where John Clute, renowned science fiction and fantasy critic, and his artist wife, Judith, live. The Clutes are based in Camden Town, London, and have graciously hosted many writers and editors over the past few decades. (Datlow usually stays with them on her annual visit to London.) Datlow is on the left, John Clute is in the center, and Datlow’s good friend Pat Cadigan, an award-winning science fiction writer, is on the right.A manipulated photo of Datlow taken in 1990 by art photographer and illustrator J. K. Potter, giving her cat eyes. It first appeared on the original back flap of Alien Sex.Datlow in front of an advertisement for OMNI magazine in New York City in 1991. That winter day, Datlow wandered Manhattan with her camera and her friends, the married writers Steven Gould and Laura J. Mixon. They happened upon the advertisement just north of Datlow’s West Village home.Datlow with fellow editor Terri Windling in 1994. Datlow and Windling have collaborated on anthologies for more than twenty years, yet rarely see each other. This photo is from one of those rare yet cherished meetings.Datlow modeled for J. K. Potter’s cover of the illustrated edition of The Island of Dr. Moreau by H. G. Wells, published in 1990. Potter gave Datlow a print of the image, which hangs on her living room wall.<p>Acknowledgements</p>I SHOULD LIKE TO thank the following people, who in various ways, made the publication of Alien Sex possible: Bruce McAllister, Lucius Shepard, Ed Bryant, Harlan Ellison, David Hartwell, Merrilee Heifetz, Jeanne Martinet, and particularly, all the contributors.
In addition, The Science Fiction Encyclopedia, edited by Peter Nicholls and John Clute, first edition (1979), was used as a source in my Introduction.
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This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
“The Jamesburg Incubus” copyright © 1990 by Scott Baker.
“Dancing Chickens” copyright © 1984 by Edward Bryant. First published in Light Years and Dark, edited by Michael Bishop. By permission of the author.
