
In a remote house on the English Channel coast, a group of people, handsome and young, are gathered: Scylla Taverner, ‘sometimes a witch and sometimes a bitch’, her potential lover Picus, her brother Felix and two other friends. Into their close circle comes Carston, an American curious to see something of England ‘off the regulation road’. But the discovery of an ancient jade cup ignites conflicting emotions, and they embark on a mystical quest, full of heady promise and violent consequence.Mary Butts’s unconventional lifestyle in London and France in the 1920s overshadowed the importance of her work. With its startlingly original style, rich appreciation of landscape and myth and concern with spiritual alienation, Armed With Madness reveals her as a writer with a truly distinctive voice.
Mary Butts was born in 1890 in Dorset where she spent her childhood. She studied Latin and Greek at Westfield College, London, and social work at the London School of Economics. During the First World War she worked for the London County Council and then the National Council for Civil Liberties. In 1918 she married John Rodker, a poet, publisher and conscientious objector, with whom she had a daughter, Camilla. She began publishing poems and stories in important literary reviews of the time, including
In 1930 she returned to England, finally settling in Cornwall with her second husband, Gabriel Aitken. She published two historical novels,
Although a figure on the literary scene and in contact with many of the important writers of the time, Butts remained marginal: her interests and writing put her out of line with any group or movement. Largely forgotten after her death, her work is now being rediscovered and her particular contribution as a modernist writer reassessed.
Stephen Heath is a Fellow of Jesus College, Cambridge.
“The effect of Mary Butts’ unretouched negatives of raw nerves is quietly, darkly affecting,” wrote the American poet Marianne Moore in 1933, seeking to convey her appreciation of a writer whose novels stood somewhat apart in the 1920s and 1930s; as they still do, not easily available and largely unread.