One person’s
So too did Berlin’s literary landscape. The cause in this instance was not a formal purge but a widespread assault on the artistic reputation and personal character of a number of easterners following the opening of the Stasi files. Interestingly, pressure to throw open these files originated in the east, not in the west. Many GDR citizens believed that they had a right to know who had informed on them and what had been said. Officials of the federal government in Bonn, most notably Interior Minister Wolfgang Schäuble, warned that this could lead to an orgy of revenge-taking. Nevertheless, in 1991 the government passed a law that allowed access to personal files by the individuals upon whom the records were kept, but not to third parties. An independent commission was established to oversee this process. Its head was the former East German theologian Joachim Gauck, who (unlike Schäuble) believed that bringing the full scope of the Stasi crimes to light was necessary for collective healing. Of course, Gauck’s agency did not have possession of everything the Stasi had collected, since some records had been shredded right after the Wall came down and others had been sold to the press by Stasi men looking to finance their retirement. The records under Gauck’s purview, however, were voluminous, and many of them resembled shrapnel-filled letter-bombs, set to blow up in their viewer’s face as soon as they were opened. The East German feminist Vera Wollenberger, for example, discovered that her husband had been spying on her for the Stasi for years. Not a few citizens who gained access to their files later came to regret their curiosity. Some blamed the messenger, accusing Gauck of rubbing the Ossis’ noses in their sins, thereby aiding in the West’s campaign of humiliation. No corner of East German life was left undamaged by the detonations in the Stasi files, but East Berlin’s literary and intellectual community provided the most spectacular pyrotechnics.