Dr. Ravi says to Rafferty, “Wait a minute. What side are you on?”
“Forget it,” Rafferty says. “So you were wrong. Get over it.” He comes another few feet into the room and looks at the arrangement at the far end. The lights are focused to create a sort of stage on which eleven blackened and sagging sewing machines have been arranged in a loose semicircle with a space in the middle. Two enormous photos of the burning factory have been put up on the smoke-black walls. Set in the space between the sewing machines is the platform Pan stood on when he gave his speech at the Garden of Eden. On the floor in front of the platform, ringed by the ghostly machines, is a heap of burned shoes, curled and shriveled fragments of leather and charred cloth, half-melted rubber.
“Are those really from this fire?” Rafferty says, pointing at the shoes. He can barely speak.
“Yes,” Pan says.
“And you’re using them,” Rafferty says, “for a photo op.” He spits on the floor.
“What happened here-” Pan begins.
“I
“No, he just thought I did,” Pan begins. “But, really, I-”
“And when you sold yourself, you also sold the people who died here. Is there anything left? Is there
Pan says, “You don’t understand. Porthip, Ton-people like Ton-
“People like that?” Rafferty says. “People like that? I know about people like that. The woman I married was whored out by people like that. But let me ask you, Mr. Man of the Soil, how much of yourself do you think you can sell before
Pan’s eyes are everywhere. He clears his throat and says, “I-”
“Don’t bother,” Rafferty says. “It’s all over your face. Look, even the dog’s given up on you.”
And in fact the dog has gotten up and is walking toward the door, looking past Boo. And then he stops and his ears go up, and he lowers his head and begins to growl.
“Poke,” Arthit says, but the door is suddenly crowded with men, and in front of them, with Captain Teeth’s arm around her throat and his gun at her head, is Da. Even with death touching her temple, she keeps an arm wrapped tightly around the cashmere shawl that holds Peep.
Boo takes an involuntary step toward her, but one of the men racks his automatic, and the boy freezes.
“Not one move,” Captain Teeth says. “Nobody. Not one move. Anybody twitches and the girl and the kid are dead on the floor, got it?”
No one speaks. The only sound is the husky growl of the dog, its head now low as it looks up at Captain Teeth.
“I count three guns,” Captain Teeth says. “I want those guns turned around slowly, so you’re holding them by the barrel. Do it now.”
Rafferty, Arthit, and Kosit reverse their guns so the handles are pointing toward Captain Teeth.
“Good. Now hold them up in the air, way up. Good, good. And turn around so your backs are to us. Now bring down the hands with the guns, hold them out shoulder length, arms stiff, by the barrel. I don’t want to see any bent elbows. Bring the arm slowly behind you and just stay there.”
Rafferty hears feet moving, and then the gun is removed from his hand. A moment later Captain Teeth says, “All of you, turn back around. Slowly. All the way around.”
When Rafferty is facing the door again, he sees Captain Teeth, still clutching Da, at the center of a group of five men, three of whom hold automatics. They have come several feet into the room, with the door at their backs. Kosit, Arthit, and Rafferty are several feet apart, and eight or ten feet beyond them, near the podium on the other side of the hill of burned shoes, are Pan and Dr. Ravi. Nearest the gunmen, the dog at his side, is Boo.
Captain Teeth makes a show of looking inquisitively around the room. “Where are they?”