Rafferty has no trouble visualizing the little man, probably wearing another ambitiously pleated pair of slacks, seated behind the desk in the small office outside Pan’s big one. “Sorry it’s a bad day, but I’m coming anyway.”

“He won’t see you.”

“He’ll see me. Just say one word to him. Say ‘Snakeskin.’”

The pause is so long that Rafferty thinks Dr. Ravi has hung up. When he does speak, all he says is, “Half an hour?”

“Yes. But two other people are going to get there first, two kids. Let them in and have them wait. It’s important that they’re not out on the street when I arrive.”

“Any other orders?” Dr. Ravi says.

“That’ll do for now,” Rafferty says.

He folds the phone and sits on the stool, which he has put upright again. The day in front of him is a maze, an urban labyrinth with several ways in and probably only one safe way out. Within an hour Rose should call to tell him they’re with Boo’s kids down at the river. They’ll be fine down there, at least until dark, when he’ll move them. Assuming that he’s alive to do it.

The taped hand goes into spasms, sending a long, dark line of pain up his arm. When he stands up, the stool pinches him, and this time his kick sends it all the way to the opposite wall, where it breaks into pieces.

There are at least three places he needs to go. At some point he’ll have to dump the final tails, so no one from either side is riding his slipstream. He’s pretty sure he knows how to do it, but he’s been wrong a lot recently, so he turns his mind to it, and while he worries about that, he also worries about time. This is Saturday, and his bank will close early. He focuses on the schedule, trying to factor in imponderables, such as bad traffic or a sudden bullet in the back of the head.

Instead he finds himself worrying about Arthit. His best friend, alone for the first time in his adult life, is floating somewhere on the tide of the city, adrift over depths of abandonment and grief. Running from his loss, running from whatever it is that Rafferty has let out of the bottle. And as hard as it is for Rafferty to imagine Arthit needing help, he probably does. He probably needs several kinds of help.

HE CAN GIVE himself ten minutes, no more. The seconds tick off in his mind as he moves through the apartment silently while he and his wife and child chat with each other over the speakers.

From the headboard of the bed, he takes the Glock and the spare magazine. His closet yields up a pair of running shoes and his softest, most beat-up jeans, since he may have to wear them for some time. He chooses a big linen shirt that’s loose enough to conceal the gun. After he changes, he slips his cell phone into his pocket, where it will stay until he replaces it later in the day. He goes to the sliding glass door to close it but stands for a moment looking past the balcony and out over the city. Its sheer size is a comfort. It unfolds around him in all directions, block by block like giant tiles, fading eventually into the perpetual smog and water vapor that obscure the place’s real size, but he knows that it goes on and on. People have hidden in it for years, just another stone on the beach. He turns and goes over to the little tape recorder, rests his finger on the “stop” button, and waits for a natural pause.

“Hang on a minute,” he says out loud. He pushes “stop.” “I’m going out for a couple of hours, but I’ll get back in plenty of time for dinner. Anybody want anything?” There is no reply, since he’s pulling out the cassette in the recorder and slipping another in. He rewinds the new tape all the way to the beginning of the leader, which will give him twenty seconds or so of silence before Miaow and Rose start talking. He says, “Okay, then, bye,” pushes “play,” and goes out the door, putting some muscle into closing it so it can be heard. He’s still standing out there, waiting for the elevator, when he hears Rose’s voice through the door.

The new tape is a little less than two hours long, the product of their trip down to the fourth floor on the previous morning. He has that much time until the apartment goes silent. After that they’ll begin to wonder. When the curiosity gets too strong, they’ll come through the door.

And then they’ll probably be looking to kill people.

THE GUY BEHIND him isn’t trying to be inconspicuous. He stays two or at most three cars back all the way, a cell phone pressed to one ear. When Rafferty’s taxi stops at the gates to Pan’s earthly paradise, the follower cruises past slowly, then pulls in to the curb halfway down the block.

When the guard opens the gate, Dr. Ravi is already standing there. He lifts his left hand to study his watch, says, “Seven minutes late,” and turns to climb into the swan. “As I told you, time is very tight today.” The vehicle is moving while Rafferty still has one foot on the ground.

“Are my guests here?”

Dr. Ravi purses his lips around something small and sour and says, “They are.”

Rafferty says, “You were never poor.”

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