"Shame about BANNER," one communicator said to the other.
"These things do happen."
"Your name Johns?"
"That's right," the colonel said without turning at once. He'd just come back from a test flight. The new-actually rebuilt five-year-old-engine worked just fine. The Pave Low III was back in business. Colonel Johns turned to see to whom he was talking.
"Do you recognize me?" Admiral Cutter asked curtly. He was wearing his full uniform for a change. He hadn't done that in months, but the three stars on each braided shoulder board gleamed in the morning sun, along with his ribbons and surface-warfare officer's badge. In fact, the general effect of the undress-white uniform was quite overpowering, right down to the white buck shoes. Just as he had planned.
"Yes, sir, I do. Please excuse me, sir."
"Your orders have been changed, Colonel. You are to return to your stateside base as soon as possible. That means today," Cutter emphasized.
"But what about -"
"That will be taken care of through other means. Do I have to tell you whose authority I speak with?"
"No, sir, you do not."
"You will not discuss this matter with anyone. That means nobody, anywhere, ever. Do you require any further instructions, Colonel?"
"No, sir, your orders are quite clear."
"Very well." Cutter turned and walked back to the staff car, which drove off at once. His next stop was a hilltop near the Gaillard Cut. There was a communications van there. Cutter walked right past the armed guard - he wore a Marine uniform but was a civilian - and into the van, where he made a similar speech. Cutter was surprised to learn that moving the van would be difficult and would require a helicopter, since the van was too large to be pulled down the little service road. He was, however, able to order them to shut down, and he'd see about getting a helicopter to lift the van out. Until then they would stay put and not do anything. Their security was blown, he explained, and further transmissions would only further endanger the people with whom they communicated. He got agreement on that, too, and left. He boarded his aircraft at eleven in the morning. He'd be home in Washington for supper.
Mark Bright was there just after lunch. He handed his film cassettes over to a lab expert and proceeded to Dan Murray's busy office, where he reported what he had seen.
"I don't know who he met with, but maybe you'll recognize the face. How about the Amex number?"
"It's a CIA account that he's had access to for the past two years. This is the first time he's used it, though. The local guy faxed us a copy so we could run the signature. Forensics has already given us a handwriting match," Murray said. "You look a little tuckered."
"I don't know why - hell, I must have slept three hours in the past day and a half. I've done my D.C. time. Mobile was supposed to be a nice vacation."
Murray grinned. "Welcome back to the unreal world of Washington."
"I had to get some help to pull this off," Bright said next.
"Like what?" Murray wasn't smiling anymore.
"Air Force personnel, intel and CID types. I told 'em this was code-word material, and, hell, even if I had told them everything I know, which I didn't, I don't know what the story is myself. I take responsibility, of course, but if I hadn't done it, I probably wouldn't have gotten the shots."
"Sounds to me like you did the right thing," Murray said. "I don't suppose you had much choice in the matter. It happens like that sometimes."
Bright acknowledged the official forgiveness. "Thanks."
They had to wait five more minutes for the photographs. Decks had been cleared for this case, but even priority cases took time, much to the annoyance of everyone. The technician - actually a section chief - arrived with the moist prints.
"I figured you'd want these babies in a hurry."
"You figured right, Marv - Holy Christ!" Murray exclaimed. "Marv, this is code-word."
"You already told me, Dan. Lips are zipped. We can enhance them some, but that'll take another hour. Want me to get that started?"
"Fast as you can." Murray nodded, and the technician left. "Christ," Murray said again when he reexamined the photos. "Mark, you take a mean picture."
"So who the hell is it?"
"F lix Cortez."
"Who's that?"
"Used to be a DGI colonel. We missed him by a whisker when we bagged Filiberto Ojeda."
"The Macheteros case?" That didn't make any sense.
"No, not exactly." Murray shook his head. He spoke almost reverently, thought for a minute, and called for Bill Shaw to come down. The acting Director was there within a minute. Agent Bright was still in the dark when Murray pointed his boss to the photographs. "Bill, you ain't going to believe this one."
"So who the hell is F lix Cortez?" Bright asked.
