ALSO BY KATHY REICHS
Grave Secrets
Kathy Reichs
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2002 by Temperance Brennan, L.P.
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ISBN 0-7432-4488-5
I have touched their bones. I mourn for them.
Acknowledgments
AS USUAL THIS BOOK WOULD NOT HAVE BEEN POSSIBLE WITHOUT the help of others.
First and foremost, credit and recognition must go to my dear friend and colleague, Clyde Snow, Ph.D. Clyde, you started it all. I thank you. The oppressed of the world thank you.
I feel tremendous gratitude for the support and hospitality shown me by the members of the Fundación de Antropología Forense de Guatemala, especially Fredy Armando Peccerelli Monteroso, Presidente, and Claudia Rivera, Directora de Antropología Forense. The work carried out by the FAFG is unbearably difficult and tremendously important.
Ron Fourney, Ph.D., Biology, Research and Development, Canadian Police Research Center, Royal Canadian Mounted Police, and Barry D. Gaudette, B.S., Manager, Canadian Police Research Center, Royal Canadian Mounted Police, explained the intricacies of animal hair analysis.
Carol Henderson, J.D., Shepard Broad Law Center, Nova Southeastern University, and William Rodriguez, Ph.D., Office of the Armed Forces Medical Examiner, Armed Forces Institute of Pathology, provided information on the construction and functioning of septic tanks.
Robert J. Rochon, Deputy High Commissioner to London, Canadian Department of External Affairs and International Trade, answered many questions concerning the diplomatic world.
Diane France, Ph.D., Director, Colorado State University Human Identification Laboratory, supplied inspiration for the use of selective laser sintering in skull modeling. Allan DeWitt, P.E., furnished details on SLS technology.
Sergent-détective Stephen Rudman (retired), Police de la Communauté Urbaine de Montréal, explained the workings of internal police investigations in Quebec.
Paul Reichs offered many valuable comments on the manuscript. And some stinkers.
My daughters, Kerry Reichs and Courtney Reichs, accompanied me to Guatemala. Your presence lightened the load.
My amazing editors, Susanne Kirk at Scribner and Lynne Drew at Random House–UK, took a rough manuscript and made it sing.
Last, but far from least, my agent, Jennifer Rudolph Walsh, provided a sympathetic ear, a protective firewall, and a kick in the pants when needed. You’re a star, Big J!
If I have forgotten anyone, please let me know. I will buy you a beer, apologize profusely, and thank you in person. We’ve all had a rough year.
In the end, I wrote
Grave Secrets
1
“I AM DEAD. THEY KILLED ME AS WELL.”
The old woman’s words cut straight to my heart.
“Please tell me what happened that day.” Maria spoke so softly I had to strain to catch the Spanish.
“I kissed the little ones and left for market.” Eyes down, voice toneless. “I did not know that I would never see them again.”
K’akchiquel to Spanish, then reversing the linguistic loop, reversing again as answers followed questions. The translation did nothing to blunt the horror of the recitation.
“When did you return home, Señora Ch’i’p?”
“Late afternoon. I’d sold my beans.”
“The house was burning?”
“Yes.”
“Your family was inside?”
A nod.
