HHhH: A Novel полностью

While Heydrich’s Mercedes snakes along the thread of its knotted destiny, while the three parachutists keep an anxious lookout, all their senses alert, on that deadly bend of the road, I reread the story of Jan Žižka, told by George Sand in a little-known book called Jean Zizka. And once more I become distracted. I see the fierce general sitting enthroned on his mountain: blind, his skull shaved, his braided Asterix-style mustaches drooping onto his chest like creepers. At the foot of his improvised fortress, ready to attack, is Sigismond’s imperial army. Battles, massacres, sieges, and spoils of war pass before my eyes. Žižka was the king’s chamberlain in Prague. It’s said that he entered the war against the Catholic Church out of hatred for priests—because a priest had raped his sister. This is the era of the first famous defenestrations in Prague. No one knows yet that this small fire in Bohemia will blaze up into more than a century of terrible religious wars, and that from the ashes of Jan Hus will rise Protestantism. I learn that the word “pistol” comes from the Czech píštala. I learn that it was Žižka, with his battalions of heavily armed chariots, who practically invented tank warfare. Apparently, Žižka found the man who raped his sister and punished him terribly. Apparently, too, Žižka was one of the greatest war leaders in history, because he never suffered defeat. I am spreading myself too thinly. Everything I read takes me farther and farther away from the curve in Holešovice Street. And then I stumble on this phrase of George Sand’s: “Poor workers or sick people, you must always struggle against those who tell you: ‘Work hard to live badly.’” That isn’t an invitation to digress—it’s a demand! But I am concentrated on my objective now. I will no longer let myself be distracted. A black Mercedes glides along the road—I can see it.

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Heydrich is late. It is already ten o’clock. Rush hour is over, and Gabčík and Kubiš’s presence on the pavement is becoming more conspicuous. In 1942, anywhere in Europe, two men standing alone for a long time in the same place quickly attract suspicion.

I am sure they are sure that the game is up. Each passing minute increases the risk that they will be spotted by a patrol and arrested. But still they wait. The Mercedes should have been here more than an hour ago. According to the carpenter’s records, Heydrich has never arrived at the castle after ten o’clock. Everything says he is not coming. He could have changed his route, or gone straight to the airport. Perhaps he’s already taken off, never to return.

Kubiš is leaning against a lamppost, on the inside of the curve. Gabčík, on the other side of the crossroads, pretends to wait for a tram. He must have seen a good dozen pass already and he’s no longer counting. The flood of Czech workers gradually abates. The two men are more and more exposed. Little by little the hum of the city fades and the calm that descends on the curve in the road is like an ironic echo of their disastrous mission. Heydrich is never late. He’s not coming.

But obviously I wouldn’t have written this whole book if Heydrich wasn’t coming.

At half past ten, the two men are struck by lightning—or rather by the light of the sun reflected, from the hill above them, by the little mirror that Valčík has taken from his pocket. It’s the signal. He is coming. At last! In a few seconds he’ll be there. Gabčík runs across the road and positions himself at the exit of the curve, hidden by it until the last moment. Unlike Kubiš, who is farther forward (unless he’s behind Gabčík, as some reconstructions claim, but that seems less likely to me), he can’t see that the Mercedes outlined against the horizon is not followed by a second car. I bet he hasn’t even given it a thought. At this moment, one single idea takes all the space in his fevered brain: shoot the target. But then, from behind, he hears the unmistakable noise of a tram approaching.

Suddenly the Mercedes appears. As expected, it brakes. But as they had feared, a tram filled with civilians is going to pass it at the worst possible moment: at the exact instant when the car reaches the part of the street where Gabčík waits. Oh well … tough shit. They have evaluated the risk of killing innocent civilians, and they have decided to take it. Gabčík and Kubiš are less scrupulous than Camus’ Just Assassins,* but that’s because they are real people, both greater and more flawed than any fictional character.

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