effect of laisser-aller^ as the expression of a refusal to ‘overdo it', to conform too strictly on the points most strictly demanded by the dominant code, even if the effort is made in other areas), is associated with rejection of the censorship which propriety imposes, particularly on the tabooed body, and with the outspokenness whose daring is less innocent than it seems since, in reducing humanity to its common nature - belly, bum. bollocks, grub, guts and shit - it tends to turn the social world upside down, arse over head. Popular festivity as described by Bakhtin and especially revolutionary crisis highlight, through the verbal explosion which they facilitate, the pressure and repression which the everyday order imposes, particularly on the dominated class, through the seemingly insignificant constraints and controls of politeness which, by means of the stylistic variations in ways of talking (the formulae of politeness) or of bodily deportment in relation to the degree of objective tension of the market, exacts recognition of the hierarchical differences between the classes, the sexes and the generations.

It is not surprising that, from the standpoint of the dominated classes, the adoption of the dominant style is seen as a denial of social and sexual identity, a repudiation of the virile values which constitute class membership. That is why women can identify with the dominant culture without cutting themselves off from their class as radically as men. 'Opening one’s big mouth" (ouvrir sa grande gueule) means refusing to submit, refusing to ‘shut it’ {la fermer} and to manifest the signs of docility that are the precondition of mobility. To adopt the dominant style, especially a feature as marked as the legitimate pronunciation, is in a sense doubly to negate one's virility because the very fact of acquiring it requires docility, a disposition imposed on women by the traditional sexual division of labour (and the traditional division of sexual labour), and because this docility leads one towards dispositions that arc themselves perceived as effeminate.

In drawing attention to the articulatory features which. like the degree of ‘aperture’, sonority or rhythm, best express, in their own logic, the deep-rooted dispositions of the habitus and, more precisely, of the bodily hexis, spontaneous sociolinguistics demonstrates that a differential phonology should never fail to select and interpret the articulatory features characteristic of a class or class fraction in relation not only to the other systems with reference to which they take on their distinctive value, and therefore their social value, but also in relation to the synthetic unity of the bodily hexis from which they spring, and by virtue of which they represent the ethical or

aesthetic expression of the necessity inscribed in a social condition.

The linguist, who has developed an abnormally acute perception (particularly at the phonological level), may notice differences where ordinary speakers hear none. Moreover, because he has to concentrate on discrete criteria (such as the dropping of the final ‘r’ or i’) for the purposes of statistical measurement, he is inclined towards an analytical perception very different in its logic from the ordinary perception which underlies the classificatory judgements and the delimitation of homogeneous groups in everyday life. Not only are linguistic features never clearly separated from the speaker’s whole set of social properties (bodily hexis, physiognomy, cosmetics, clothing), but phonological (or lexical, or any other) features are never clearly separated from other levels of language; and the judgement which classifies a speech form as ‘popular’ or a person as ‘vulgar’ is based, like all practical predication, on sets of indices which never impinge on consciousness in that form, even if those which are designated by stereotypes (such as the ‘peasant’ ‘r’ or the southern ceusse) have greater weight.

The close correspondence between the uses of the body, of language and no doubt also of time is due to the fact that it is essentially through bodily and linguistic disciplines and censorships, which often imply a temporal rule, that groups inculcate the virtues which are the transfigured form of their necessity, and to the fact that the ‘choices’ constitutive of a relationship with the economic and social world are incorporated in the form of durable frames that are partly beyond the grasp of consciousness and will.29

Appendix

Did You Say ‘Popular?

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