I would like to consider the example of the debate on popular art. (1 am somewhat worried by the communicability of what 1 have to say and that must be evident in the difficulty I have in saying it.) You are aware of the recurring debate on popular art, proletarian art, socialist realism, popular culture, etc., a typically theological debate into which sociology cannot enter without getting caught in a trap. Why? Because it is the terrain
even an academicism, based on a highly abstract
Homology and the Effects of Misrecognition
But we must now ask how all these double-dealing strategies, these strategies of the ego and its double, manage to work in spite of everything: how is it that the delegate's double-dealing doesn't betray itself? What has to be understood is what comprises the heart of the mystery of the ministry, namely, ‘legitimate imposture". It is not. in fact, a question of getting away from the naive representation of the dedicated delegate, the disinterested militant, the self-ahnegating leader, in order to fall back into the cynical view of the delegate as a conscious and organized usurper - that is the eighteenth-century view, as found in Helvetius and d’Holbach. of the priest, and a very naive view, for all its apparent lucidity. Legitimate imposture succeeds only because the usurper is not a cynical calculator who consciously deceives the people, but someone who in all good faith
One of the mechanisms that allow usurpation and double-dealing to work (if 1 may put it like this) in all innocence, with the most perfect sincerity, consists in the fact that, in many cases, the interests of the delegate and the interests of the mandators, of those he represents, coincide to a large extent, so that the delegate can believe and get others to believe that he has no interests outside