But perhaps the worst of all London fogs were the “smogs” of the early 1950s, when thousands died of asphyxiation and bronchial asthma. In some of the theatres the fog was so thick that the actors could not be seen upon the stage. On the afternoon of 16 January 1955 there was “almost total darkness … People who experienced the phenomenon said it seemed as if the world was coming to an end.” A Clean Air Act was passed in 1956, as a result of public disquiet, but in the following year another smog caused death and injury. Then again in the winter of 1962 a lethal smog killed sixty people in three days; there was “nil visibility” on the roads, shipping “at a standstill,” trains cancelled. A newspaper report put the facts plainly: “The amount of smoke in the London air was 10 times higher than normal for a winter day yesterday. The amount of sulphur dioxide was 14 times higher than normal.” Six years later there followed a more extensive Clean Air Act, and this legislation marked the end of London fog in its ancient form. Electricity, oil and gas had largely taken the place of coal, while slum clearance and urban renewal had reduced the level of close-packed housing.

But pollution has by no means disappeared; like London itself, it has simply changed its form. The city may now be in large part a “smokeless zone” but it is filled with carbon monoxide and hydrocarbons which together with “toxic secondary pollutants” such as aerosols can produce what is known as a “photochemical smog.” High concentrations of lead in the London air and a general increase of sunshine in the cleaner air have in turn inspired more contamination. There is a problem with ozone at ground level and the effects of “temperature inversion” mean that the emissions from traffic and power stations, for example, cannot be released into the upper atmosphere. So they linger at the level of the streets. The fog that Tacitus described in the first century AD still hovers over London.

Night and Day

A depiction by Gustave Doré of poor vagrants huddled on Westminster Bridge on a starry night in the 1870s; it was said that the number of such vagrants could fully populate an average city.

CHAPTER 48

Let There Be Light

The high death rate in London has been blamed in part upon the lack of natural light. The prevalence of rickets, for example, has been noted in this connection. It is revealed in Werner’s London Bodies that in St. Bride’s Lower Churchyard over 15 per cent of children’s skeletons, dating from the nineteenth century, showed signs of that disorder, while those who did not succumb spent their lives upon “badly bowed limbs.” So there was a yearning for light, or, rather, an instinctive need for light. If it could not be found naturally, then it must be artificially created to satisfy the appetite of the Londoner.

As early as the fifteenth century lights were established by statutory decree. In 1405 every house beside the main thoroughfare had to display a light at the Christmas watch and, ten years later, the mayor ordered that the same dwellings bear lamps or lights in the dark evenings between October and February, in the hours from dusk until nine o’clock. These lanterns were of transparent horn, rather than of glass. But medieval London remained in relative obscurity except, perhaps, for the light spread by those who carried torches to guide pedestrians or by servants who used the flare of flaming brands to accompany the passage of some great lord or cleric. In the early years of the seventeenth century “link-boys” bearing lights also became a source of brightness.

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