A “diversion” of the English, according to many reports, was female combat in places of resort and amusement such as Hockley-in-the-Hole. It was recorded that the “women fought almost naked with two handled swords which, at the points, were sharp as razors.” Both combatants were frequently cut with these weapons, and retired briefly to have their wounds “sown up” without the benefit of any anaesthetic other than their own animosity. The fight continued until one of the participants swooned, or was so badly wounded that she could fight no more. On one occasion, one combatant was twenty-one and the other sixty. It became a highly ritualised, if bloody, affair. The two female warriors would bow to the spectators and salute each other. One was decked in blue ribbons, the other in red; each carried a sword, about three and a half feet in length with a blade approximately three inches wide. With these fierce weapons, and only a wicker shield for defence, they attacked each other. In one fight a swordswoman “received a long and deep wound all across her neck and throat”; some coins were thrown to her from the crowd, but “she was too badly hurt to fight any more.”

The introductory “chaff” between the two women (one declaring, for instance, that she beat her husband every morning to keep her hand in) was also echoed in the advertisements or “notices” which preceded each fight. “I Elizabeth Wilson, of Clerkenwell, having had some words with Hannah Highfeld and requiring satisfaction, do invite her to meet me on the stage and box with me for three guineas, each woman holding half a crown in each hand, and the first woman that drops her money to lose the battle.” The coin was held to prevent the participants scratching each other. To which a reply was printed: “I Hannah Hyfeld, of Newgate Market, hearing of the resolution of Elizabeth, will not fail to give her more blows than words, desiring home blows and from her no favour.” The London Journal reported in June 1722 that “They maintained the battle with great valour for a long time, to the no small satisfaction of the spectators.”

Men also fought one another with swords, each with a “second” bearing a large wooden club to ensure fair play, and again the struggle ended only when the participants’ wounds were too disabling for them to continue. On many occasions the audiences joined in the battle. “But Lord!” Pepys wrote, “to see in a minute the whole stage was full of watermen to revenge the foul play, and the butchers to defend their fellow, though most blamed him; and there they all fell to it, to knocking down and cutting many on each side. It was pleasant to see, but that I stood in the pit, and feared that in the tumult I might get some hurt.” This account emphasises the almost tribal loyalties engaged in civic violence, the effect of which could be witnessed in even the most “polite” circles. When the speculator Barebone engaged some workmen to build upon Red Lion Fields, the lawyers of the adjacent Gray’s Inn “took notice of it, and thinking it an injury upon them, went with a considerable body of one hundred persons; upon which the workmen assaulted the gentlemen, and flung bricks at them, and the gentlemen at them again; so a sharp engagement ensued.”

The tribalism of the city was manifested, in a no less unhappy way, with the exploits of a group of young people known as the Mohocks, named after “a sort of cannibals in India,” according to the Spectator, “who subsist by plundering and devouring all the nations about them.” These young Londoners would rush down the streets with linked arms for the pleasure “of fighting and sometimes maiming harmless foot passengers and even defenceless women.” Street-brawling has an ancient history within the city, and similar gangs of youths were known in previous generations as Muns and Tityre-Tus, then Hectors and Scourers, and then Nickers and Hawkubites. The Mohocks themselves began the evening by drinking too much, before tumbling on to the streets with their swords ready. The consequences are revealed in Walford’s Old and New London. As “soon as the savage pack had run down their victim, they surrounded him, and formed a circle with the points of their swords. One gave him a puncture in the rear, which very naturally made him wheel about; then came a prick from another; and so they kept him spinning like a top.” That is why they became known as Sweaters, and also as Slashers since in more ferocious mood they took pleasure “in tattooing, or slashing people’s faces with, as Gay wrote, ‘new invented wounds.’” Another poet of London has memorialised their exploits in more expressive verse:

And in luxurious cities, where the noise

Of riot ascends above their loftiest towers,

And injury and outrage, and when night

Darkens the streets, then wander forth the sons

Of Belial, flown with insolence and wine.

So did John Milton place the violence of London within the context of myth and eternity.

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