But right now she was ready to do the same thing. Pick up Barsik, hold him tight to her breast, and leap from her sixth floor, right in front of the dumbfounded visitors at the Metelitsa casino. Because she no longer had the emotional strength to be left not only walletless but also Oleg Bekasless.

Yulia worked as a proofreader in a publishing house. Her only connection to art was through grammar. For days on end Yulia read other people’s words very, very carefully. And corrected them. She felt like a worker who hammers a nail into a wall to hang a painting that gives off a divine light. But what kind of light does a nail give off? None whatsoever. Oleg was an artist, though, and canvases came to life in his hands. Even a sheet of notebook paper. Yulia couldn’t do that. She could only go word by word, like an infinite rosary, barely penetrating the meaning of what was written.

She fell in love with Oleg once and for all (though she had never believed in love at first sight and in her youth had often snickered at her more naïve girlfriends). With Yulia it was all very simple. Like him—hook up—go to a café—go to bed. Love? Who cared about love? As long as he had a fat wallet and a generous nature. Maybe that’s why Yulia hadn’t been through any emotional upheavals before Oleg. She hooked up and split up with a cold heart and a clear head. Like a chekist. But here was Oleg. An artist. A creator. Someone from another world where they don’t hammer nails but drink to Brüderschaft with God almighty … Yulia saw him in the gallery and fell hard. Her heart broke off and slowly dropped to the pit of her stomach.

Yulia went out on the balcony. The lights of New Arbat spread out right there in front of her. Here was a huge building with a web of lights like an open book. Here was a casino in the shape of a ship; here was another casino, and another. Expensive cars, lots of people. Sometimes Yulia dreamed of flying from her window and landing right on that ship burning with blue lights—and then sailing off to distant lands, where she and Oleg would live together in a cabin and have three children.

Jacob climbed onto the stepladder and tried to hang his mama’s head on the Christmas star, but the star was so fragile, and his mama’s head was so heavy, that … The words raced through her mind again and Yulia mechanically finished up: that the boy couldn’t hold it there and the head came crashing down, cracking loudly on the parquet floor. Yulia didn’t feel so good. Usually she didn’t remember all the words to the texts she proofread, and now there was this flood. I’ll ask them to give me a different novel, she thought. And I’ll give this one to Mikhail Ivanich … Damn, he’s gone … Everyone’s gone …

Yulia let out another sigh and looked at the clock. She had approximately an hour and a half until Oleg’s arrival. She went into the kitchen and opened the cupboard. Then the refrigerator, and then the cabinets over the sink. The old fairy tale about Roly-Poly came to mind. I’ll scrape the bottom of the barrel, Yulia chuckled to herself. Her soul was being torn to shreds.

Her search was crowned with a near-empty bottle of sunflower oil, a piece of dried-out French bread, and an almost full bottle of vodka—Yulia gave Barsik vodka compresses when he was sick. She mechanically twisted off the tight lid and sipped some vodka straight from the bottle.

Jacob sat down on the chair and looked at her intently. His blue eyes said, Come on. It’s so easy. Easy as pie. Anna fidgeted. “Maybe we can leave Thomas alone?” she asked. “Do you want to spoil the whole game?” Jacob scowled. He fiddled with the cord of his checkered shorts. “No,” Anna answered in fear. “Then stand up and do it,” Jacob said gently. “And don’t forget this.”

Compresses for Barsik.

Barsik.

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