'And here's one from a long way off,' he said, pointing to a woman who was still quite young, but thin and worn out, with a face that was not so much sunburnt as blackened. She was kneeling and staring motionless at the elder. There was almost a frenzied look in her eyes.

'From a long way off, Father, from a long way off,' the woman said in a sing-song voice… 'Two hundred miles from here - a long way, Father, a long way.'

She spoke as though she were keening. There is among the peasants a silent and long-enduring sorrow. It withdraws into itself and is still. But there is also a sorrow that has reached the limit of endurance: it will then burst into tears and from that moment break out into keening. This is especially so with women. But it is not easier to bear than a silent sorrow. The keening soothes it only by embittering and lacerating the heart still more. Such sorrow does not desire consolation and feeds upon the sense of its hopelessness. The keening is merely an expression of the constant need to reopen the wound…

'What is it you're weeping for?'

'I'm sorry for my little boy, Father. He was three years old - three years in another three months he would have been, I'm grieving for my little boy, Father, for my little boy - the last I had left. We had four, Nikita and I, four children, but not one of them is alive, Father, not one of them, not one. I buried the first three, I wasn't very sorry for them, I wasn't, but this last one I buried and I can't forget him. He seems to be standing before me now - he never leaves me. He has dried up my soul. I keep looking at his little things, his little shirt or his little boots, and I wail. I lay out all that's left of him, every little thing. I look at them and wail. I say to my husband, to Nikita, let me go, husband, I'd like to go on a pilgrimage. He's a driver, Father. We're not poor people, Father. We're our own masters. It's all our own, the horses and the carriage. But what do we want it all for now? My Nikita has taken to drinking without me, I'm sure he has, he used to before: I had only to turn my back, and he'd weaken. But now I'm no longer thinking of him. It's over two months since I left home. I've forgotten everything, I have, and I don't want to

remember. And what will my life with him be like now? I've done with him, I have, I've done with them all. I don't want to see my house again and my things again. I hope I'll never see them again!'

'Now listen to me, Mother,' said the elder. 'Once, a long time ago, a great saint saw a woman like you in church. She was weeping for her little infant child, her only one, whom God had also taken. "Don't you know," said the saint to her, "how bold and fearless these little ones are before the throne of our Lord? There's none bolder or more fearless than they in the Kingdom of Heaven: Thou, O Lord, hast given us life, they say to God, and no sooner had we looked upon it than Thou didst take it away. And so boldly and fearlessly do they ask and demand an explanation that God gives them at once the rank of angels. And therefore," said the saint, "you, too, Mother, rejoice and do not weep, for your little one is now with the Lord in the company of his angels." That's what the saint said to the weeping mother in the olden days. And he was a great saint and he would not have told her an untruth… I shall mention your little boy in my prayers. What was his name?'

'Aleksei, Father.'

'A sweet name. After Aleksei the man of God?'

'Of God, Father, of God. Aleksei the man of God.'

'He was a great saint! I shall mention him in my prayers, Mother, I shall. And I shall mention your sorrow in my prayers, too, and your husband that he may live and prosper. Only you should not have left your husband. You must go back to him and look after him. Your little boy will look down on you and, seeing that you've forsaken his father, he will weep over you both: why do you destroy his bliss? For don't forget, he's living, he's living, for the soul lives for ever, and though he is no longer in the house, he's always there unseen beside you. How do you expect him to come home if you say you hate your house? To whom is he to go, if he won't find you, his father and mother, together? You see him in your dreams now and you grieve, but if you go back he will send you sweet dreams. Go to your husband, Mother, go back to him today.'67

Dostoevsky was a man who yearned for faith. But the death of little children was a fact he could not accept as a part of the divine plan. His notebooks from when he was working on The Brothers Karamazov are filled with agonizing commentaries on incidents of awful cruelty to children which he had read about in the contemporary press. One of these true stories appears at the centre of The Brothers Karamazov and

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