Tommy studied Cooch an instant longer, and then backed away. "We got a big man with a piece here, Phil," he said. "You're real big with them pieces, huh, Cooch? Well, I got some more advice for you. Friendly advice. Don't never go walking about without a piece from now on, you hear? Because, buddy, you are going to need one. You are really going to need one."
"Thanks, you yellow bastard," Cooch said, grinning, and then he turned on his heel and ran off toward the corner.
"Cooch, huh?" Tommy said, smoldering. He nodded. "Okay, Cooch. We're gonna see about you, Cooch."
"A nut!" Phil said, shaking his head. "We try to help him, and he turns on us." He shook his head again. "It just don't pay to be nice to nobody." He looked up at the girls. "You chicks gonna stand on that box all day long?"
"What else is there to do?" Elena asked.
"Let's go up to my pad," Phil said. "My people are out. We roll back the rug in the parlor, and we have a little jump, what do you say?"
"I don't know," Elena said. "Juana?"
"I don't know. What do you think?"
"It's too hot to dance," Elena said.
"Okay, so let's go get a beer," Phil said. "What the hell's the sense in hanging around here? Don't you know what's gonna happen?"
"No. What's gonna happen?"
"Eventually, they're gonna shoot Pepe," Phil said simply. "What do you think? He's gonna get away?"
"He might," Elena said.
"Impossible."
"Why is it so impossible?"
"Because there's got to be a moral," Phil said. "The Bad Guy never wins. Crime don't pay. Otherwise the Breen Office don't let it through." He burst out laughing. "Hey, Tommy, you dig that? The Breen Office…"
"Yeah, I caught it," Tommy said. "The son of a bitch! I was trying to help him, can you imagine that?"
"Come on, girls," Phil said. "Let's cut out, huh?"
"Juana?" Elena said.
"Okay," Juana said.
"Great," Phil said, helping them off the crate. "Believe me, you'd be wasting your time hanging around here. Ain't nothing gonna happen to Pepe but he's gonna get killed.
If the police had been as confidently sure of the outcome as was Phil, they would not have bothered to arm themselves with tear-gas pellets this time at the bat. For whatever Phil might have thought about the inevitability of Hollywood-type gangland movies, Pepe Miranda
So they lined up across the street like Hessians on a Massachusetts field in 1777, and they put their tear-gas guns to their shoulders, and they awaited the order which would release a new volley of bullets against the windows across the street, driving Miranda back so that they could plop their triple tracer shells into the apartment. There was nothing as sad as a crying thief, and all those valiant men in blue would watch Miranda with aching hearts as he burst into tears, but that was the way the little tear-gas pellet bounced.
Lieutenant Byrnes waved his arm at the rooftops, and the volley began. There was no glass left to shatter, and even the window frames were so badly splintered that the new cascade of bullets seemed to seek out instinctively the relatively untouched brick surrounding the windows. Big chunks of red brick showered onto the fire escape and the pavement below. Hernandez, lying as still as a stone, was covered with red dust.
"Okay," Byrnes said to the men in the street, "get it going. Aim for the windows and get as many in there as you can!"
The men started firing. The triple tracer shells arced in lazy spirals toward the window. From inside the apartment, Miranda let out a roar like a wounded animal. There was a hiss, and then a cloud of smoke, and then more hisslike explosions and suddenly tear gas was pouring from the open windows. The pellets raced about the apartment like decapitated rats, designed to wriggle and squirm so that they could not be picked up and returned to the street. The scent of apple blossoms drifted into the street, a mild scent wafted over the heads of the crowd. Miranda was cursing a blue streak now, shouting and roaring. He appeared at the windows once, and was driven back by a Thompson gun which all but ripped away half the side of the building.