Adrift, then, and somehow un-defined by their deaths, I realised with unease and surprise how much I'd also come to depend upon Khader and his council of bosses. My interactions with most of them had been cursory, it seemed to me, and yet I missed the reassurance of their presence in the city almost as much as I missed the company of my dead friends.
And I was angry. It took me a while to understand that anger, and to realise that Khaderbhai was its instigator and its target. I blamed him for Abdullah's death: for not protecting him and for not saving him. I couldn't bring myself to believe that Abdullah, the friend I'd loved, was the brutal madman Sapna. But I was ready to believe that Abdel Khader Khan had some connection to Sapna and to the killings. Moreover, I felt betrayed by his desertion of the city. It was as if he'd abandoned me to face... everything... alone. It was a ridiculous notion, of course, and quite self-aggrandising. The truth was that hundreds of Khader's men were still working in Bombay, and I dealt with many of them every day. But still I felt it-betrayed and forsaken. A coldness, formed from doubt and angry fear, began to spread inward toward the core of my feeling for the Khan. I still loved him, and I was still bonded to him as a son to his father, but he was no longer my revered and flawless hero.
A mujaheddin fighter once told me that fate gives all of us three teachers, three friends, three enemies, and three great loves in our lives. But these twelve are always disguised, and we can never know which one is which until we've loved them, left them, or fought them. Khader was one of my twelve, but his disguise was always the best. In those abandoned, angry days, as my grieving heart limped into numbing despair, I began to think of him as my enemy; my beloved enemy.
And deal by deal, crime by crime, day by day my will and purpose and hope staggered toward the pit. Lisa Carter pursued and won her contract with Chandra Mehta and Cliff De Souza. For her sake I sat in at the meeting that clinched the deal, and I signed on as her partner. The producers saw my involvement as important. I was their safe conduit to the black money of the Khader Khan mafia-an untapped and virtually inexhaustible resource. They didn't mention that connection, not then, but it was a key factor in their decision to sign on with Lisa. The contract specified that Lisa and I would supply foreign junior artists, as bit players were known, for three major studios. The terms of payment and commissions were set for two years.
After the meeting, Lisa walked me to my bike parked at the sea wall on Marine Drive. We sat together at the precise spot where Abdullah had put his hand on my shoulder, years before, when my mind was filled with the drowning sea. We were lonely, Lisa and I, and at first we talked to one another as lonely people do-in fragments of complaint, and corners clipped from conversations that we'd already had with ourselves, alone.
"He knew it would happen," she said after a long, silent pause.
"That's why he gave me that money in the case. We talked about it. He talked about it. He talked about being killed. You know about the war in Iran? The war with Iraq? He almost got killed there a few times. It got into his head, I'm sure of it. I think he wanted to die, for running away from the war and leaving his friends and family behind. And when it came down to it, if it ever did come down to it, he wanted to go out like that."
"Maybe," I answered her, looking at the sublime, indifferent sea.
"Karla once said we all attempt suicide several times in our lives, and sooner or later we all succeed."
Lisa laughed, because I'd surprised her with the quote, but the laugh ended in a long sigh. She tilted her head to let the wind play with her hair.
"The thing with Ulla," she said quietly, "It's been killing me, Lin. I can't get Modena out of my mind. I'm reading all the papers, every day, looking for something about him-about maybe they found him or something. It's weird... the thing with Maurizio, you know, I was sick with it for weeks after. I used to cry all the time, just walking on the street or reading a book or trying to sleep, and I couldn't eat a meal without feeling sick to my stomach. I couldn't stop thinking about his dead body... and the knife... what it must've felt like, when Ulla pushed the knife into him... But now, all that's kind of faded. It's still there, you know, in the bottom of my gut, but it doesn't freak me out any more. And even Abdullah-I don't know if I'm in shock or denial or whatever, but I don't... let myself think about him. It's like... like I accept it, or something. But Modena-that keeps getting worse. I can't stop thinking about him."
"I see him, too," I muttered. "I see his face, and I wasn't even there in that hotel room. It's not good."
"I should've hit her."
"Ulla?"
"Yes, Ulla!"
"Why?"
