Я не ставил своей целью перечислить здесь все источники – статьи, записи интервью, книги и фильмы, в которых черпал информацию, работая над «Шоком новизны». Но поскольку эта книга адресована широкой аудитории, я прилагаю список книг, которые также могут вызвать интерес. Мне они определенно были полезны. Разумеется, приведенный ниже перечень книг не претендует на роль исчерпывающего списка литературы по теме современного искусства – да и вряд ли в наши дни такой список мог бы быть составлен, – однако, как мне кажется, он, насколько это вообще возможно, дает представление о сопутствующих ему критических дебатах.
Ades Dawn. Dada and Surrealism Reviewed. London: Arts Council of Great Britain; New York: Barron, 1978.
American Art since 1900: a critical history / Ed. Barbara Rose. London: Thames & Hudson; New York: Praeger, 1975.
Andersen Troels. Malevich. Amsterdam: Stedelijk Museum, 1970.
Andersen Wayne, Klein Barbara. Gauguin’s Paradise Lost. New York: Viking, 1971.
Arnason H. H. History of Modern Art. London: Thames & Hudson; New York: Abrams, 1969.
Arnason H. H. Robert Motherwell. New York: Abrams, 1977.
Barr Alfred H., Jr. Fantastic Art, Dada, Surrealism. New York: MoMA, 1947.
Barr Alfred H., Jr. Matisse, His Art and His Public. New York: MoMA, 1974.
Barr Alfred H., Jr. Picasso: Fifty Years of His Art. New York: MoMA, 1946; 1974 [revised, enlarged]; London: Secker & Warburg, 1975.
Bauhaus 1919–1928 / Eds. Herbert Bayer, Ise Gropius, Walter Gropius. London: Bailey Brothers & Swinfen; Boston: Branford, 1959.
Berger John. The Success and Failure of Picasso. London: Penguin Books, 1965.
Blake Peter. Form Follows Fiasco: Why Modern Architecture Hasn’t Worked. Boston: Little, Brown, 1977.
Blake Peter. The Master Builders: Le Corbusier, Mies van der Rohe, Frank Lloyd Wright. New York: Norton, 1976.
Clark T. J. Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson, 1973.
Conceptual Art / Comp. Ursula Meyer. New York: Dutton, 1972.
Cowart Jack, et al. Henri Matisse, Paper Cut-Outs. New York & London: Abrams, 1977.
Dube Wolf-Dieter. The Expressionists. London: Thames & Hudson, 1972.
Dube Wolf-Dieter, et al. Ernst Ludwig Kirchner. Berlin: Staadtmuseum, 1980.
Dunlop Ian. The Shock of the New. London: Weidenfeld & Nicolson; New York: American Heritage Press, 1972.
Duthuit Georges. The Fauvist Painters. New York: Wittenborn, 1950.
Edvard Munch, Symbols and Images: a Catalog. Washington: National Gallery of Art, 1978.
Egbert Donald Drew. Social Radicalism and the Arts. London: Duckworth, 1972; New York: Knopf, 1970.
Elliott David. Rodchenko and the Arts of Revolutionary Russia. New York: Pantheon, 1979.
F. T. Marinetti: Selected Writings / Ed. R. W. Flint. New York: Farrar, Straus, 1972.
Farmer John David. Ensor: Major Pioneer of Modern Art. New York: Braziller, 1978.
Fermigier Andre. Pierre Bonnard. London: Thames & Hudson, 1970; New York: Abrams, 1969.
Forge Andrew. Robert Rauschenberg. New York: Abrams, 1972.
Friedman Martin. George Segal: Sculptures. Minneapolis: Walker Art Center, 1978.
Fussell Paul. The Great War and Modern Memory. London & New York: Oxford University Press, 1975.
Futurist Manifestos / Ed. Umbro Apollonio. London: Thames & Hudson; New York: Viking, 1973.
Gardiner Stephen. Le Corbusier. London: Fontana; New York: Viking, 1974.
Golding John. Cubism: A History and an Analysis, 1907–1914. London: Faber; New York: Wittenborn, 1959.
Goldwater Robert. Primitivism in Modern Painting. New York & London: Harper & Brothers, 1938.
Graetz H. R. The Symbolic Language of Vincent van Gogh. London: Thames & Hudson; New York: McGraw-Hill, 1963.
Gray Camilla. The Great Experiment: Russian Art, 1863–1922. London: Thames & Hudson; New York: Abrams, 1962.
Greenberg Clement. Art and Culture: Critical Essays. London: Thames & Hudson, 1973; Boston: Beacon Press, 1961.
Gropius Walter. The New Architecture and the Bauhaus. London: Faber, 1955; Cambridge: MIT Press, 1965.
Haftmann Werner. The Mind and Work of Paul Klee. London: Faber, 1967; New York: Praeger, 1954.
Hamilton George Heard. Painting and Sculpture in Europe, 1880–1940. London: Penguin Books, 1967.
Hemmings F. W. J. Culture and Society in France, 1848–1898: Dissidents and Philistines. London: Batsford, 1971; New York: Scribners, 1972.
Heron Patrick. The Changing Forms of Art. London: Routledge, 1955; New York: Macmillan, 1956.
Hess Thomas B. Barnett Newman. London: Tate Gallery, 1972; New York: MoMA, 1961.
