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Hoog Michel. Robert Delaunay. Paris: Flammarion, 1976.

Hulton Pontus. The Machine as Seen at the End of the Mechanical Age. New York: MoMA, 1968.

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Krauss Rosalind. Passages in Modern Sculpture. London: Thames & Hudson; New York: Viking, 1977.

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Lane Barbara Miller. Architecture and Politics in Germany, 1918–1945. London: Oxford University Press; Cambridge: Harvard University Press, 1968.

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Le Macchine Celibi / The Bachelor Machines / Ed. Szeeman Harald. Venice: Alfieri, 1975.

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Lippard Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. New York: Praeger, 1973.

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Museums in Crisis / Brian O’Doherty. New York: Braziller, 1972.

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Nochlin Linda. The Invention of the Avant-Garde: France, 1830–1880 // Avant-Garde Art / Thomas B. Hess, John Ashbery. New York: Macmillan, 1968.

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Rose Barbara. Helen Frankenthaler. New York: Abrams, 1971.

Rosenberg Harold. Art on the Edge: Creators and Situations. London: Secker & Warburg, 1976; New York: Macmillan, 1975.

Rosenberg Harold. Discovering the Present: Three Decades in Art, Culture, and Politics. Chicago & London: University of Chicago Press, 1973.

Rosenberg Harold. The De-Definition of Art: Action Art to Pop to Earthworks. London: Secker & Warburg; New York: Horizon Press, 1972.

Rosenblum Robert. Cubism and Twentieth-Century Art. London: Thames & Hudson; New York: Abrams, 1961.

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