The woman turned before he reached her, and her face was pure calculation: work in progress versus approaching deadline. She abandoned her task, leaving Sid flapping like a landed fish, and lunged for the gun, which River’s foot reached first: he sent it flying towards the hide. It hit the door and clattered to the woodwork. He tried to kick her in the face as a follow-up, but was unbalanced. She was on her knees, a good height at which to direct a jab at his balls, but his forward motion had propelled him past her, and she hit his thigh instead, which went briefly numb. He turned, dipped and reached for the gun, but she was on her feet now and kicked out, catching him on the shoulder, but only because he averted his head in time. Before she could snatch the weapon he sprang forward and caught her midriff, rugby-tackle-style: now they both went down, River on top. He felt her knee thrust upwards between his legs and jammed his thighs shut, and crashed his forehead onto her nose. Blood spurted. Then her open palms slapped both his ears at once, and the resulting thunderclap split his head open. She pushed him off, and for a moment they shared a look: one of them was going to kill the other. Whoever had the gun was favourite.

She was nearest.

She scrambled onto all fours and scurried for it, but River recovered in time and leaped on her. He tried to grasp her collar, and gain leverage to smack her head on the platform, but she rolled without warning, throwing him off. He nearly went in the water; she nearly reached the gun, but he grabbed her wrist, and when she tried to smack her forearm into his face, bit her. She screamed in outrage, and he hauled himself over her, stretching for the gun, but two swift punches to his side stopped him. He jabbed his elbow into her face in response and she loosened her grasp, and this time his hand did reach the gun, but before that could matter, she punched him in the throat. His whole body convulsed, fingers included, and the gun went off: a sudden firework against a dark background. The bullet could have gone anywhere. The gun did; before she could wrest it from his breathless grip he launched it, hard as he could, into the night: the splash it made when it hit the water met the gunshot’s echoes coming back.

Still trying to breathe, feeling like his head was wrapped in plastic, he tried to crawl free, but he was on his back and she was clinging to him tight as a lover: her face soaked in blood, her teeth a grimace. And then she hit him in the face, twice, each blow sending pain rocketing through his head. Before a third blow could connect he arched his back violently and threw her aside. For a second he felt weightless, and had to anchor himself: there was work to be done. He scrambled to his feet, lost balance, and tumbled against the bird hide again, but didn’t fall. She was on her feet too, in the crouching dragon position, unless it was flying tiger: she was about to launch herself, and almost did, but something stopped her – Sid Baker, wrapped around her legs like an angry toddler. River stepped forward and punched her in the face and she fell back over Sid and hit the deck. River threw himself onto her while Sid clung to her legs; she was kicking madly, but Sid wouldn’t let go. Kneeling on her stomach, River put his hands round her throat and squeezed. It was like wrestling a fish: she arched and flapped and tried to punch him again; then seized his wrists and tried to break their grip. He felt himself winning, but she freed a foot; kicked Sid in the head, and dislodged River. She rolled, began to crawl, but he was on her again, and this time for good: for good? Was this good? River was suddenly aware of the noise, all the noise they were making. Yelps and snarls and pained mouthfuls of air. She was flat on the deck and he was on her back, and the water was there in front of them. She’d tried to drown Sid. It seemed like a plan. He hauled her forwards, and she struggled when she realised what he was doing, but it didn’t help her, not with the two of them holding her down. And then River had her head in the water, like some God-awful Baptist ceremony, and her arms flailed about, desperate to grab hold of something; she caught his ear and tried to rip it off, digging her nails in, but River wouldn’t relax his grip, couldn’t, and now Sid was pulling the woman’s hand away and holding it in both her own. Her feet were beating a message in Morse code, just a loose collection of vowels expressing who knew what. She had never died before. It was new territory. And then the letters spaced themselves out, and the message fragmented, as whatever it was the woman was seeing outgrew her ability to describe it. One last shimmered attempt at resistance, and she fell silent. It was over. It would never be over. But it was over.

River gave it another full minute before letting go of her head.

There was no sudden reanimation; no last-minute movie shock.

Перейти на страницу:

Все книги серии Slough House

Нет соединения с сервером, попробуйте зайти чуть позже