The ascendant party leadership had cleared a lot of the ground for cultural transformation. The First Five-Year Plan was accompanied by vicious campaigns against religion, and the Red Army and the 25,000-ers arrested clerics and kulaks with equal eagerness. Religion was to be stamped out. Many churches, mosques and synagogues were shut down. Out of 73,963 religious buildings open before 1917, only 30,543 were allowed to function by April 1936.4 Nationalism of every stripe was also trampled underfoot. The elites of the various national and ethnic groups were objects of intense suspicion, including even many people who had aligned themselves with the communists in previous years. Show trials of leading ‘bourgeois nationalists’ were held from 1929. The League of the Militant Godless was given sumptuous funding. When Mykola Skrypnik, a Bolshevik Ukrainian leader who had strongly promoted the interests of his nation, committed suicide, no official regret was expressed. The times had changed, and the USSR was being pointed towards transformations which according to veteran Bolsheviks were overdue. Private printing presses were closed down. Travel between the USSR and foreign countries became impossible unless political and police organs gave their sanction. The ascendant leaders tried to insulate the country from all ideological influences but their own. Basic cultural assumptions of Bolshevism were at last going to be realised.
Such assumptions had been more pluralistic before the October Revolution than later. Bolshevism’s regimentative side won out over its other tendencies after 1917, and the extremism of Stalin and his cronies prevailed over attitudes once sponsored by the rest of the Politburo. The violence and crudity of the new campaign in the ‘cultural revolution’ was remarkable.
Nor was high culture overlooked as an arena of struggle. Stalin’s interventions had previously been of a confidential nature, and in the 1920s it had been Trotski and Bukharin who were known for their contacts with the creative intelligentsia. Trotski had written
He welcomed a few intellectuals as his occasional companions. This too was a change from previous years when only his political cronies, apart from the poet Demyan Bedny, got near him. Maxim Gorki, whom he had tempted back from a self-imposed exile in 1931, frequented Stalin’s dacha. Other visitors included the novelists Mikhail Sholokhov and Alexei Tolstoi.
However highly he valued Gorki as a writer, however, reasons of state were never far from his mind. Gorki was famous in the West and could be turned into an embellishment of the USSR. He was fêted on his return as a great proletarian intellectual. Stalin wanted something for all this. In 1929 he persuaded Gorki to visit the Solovki prison camp; he even cajoled him into becoming co-author of a book on the building of the White Sea Canal.6 Gorki was duped into believing that humanitarian efforts were being made to rehabilitate the convict labourers. He also presided over the First Congress of Writers in 1934 and lent a hand in the formation of the Union of Writers. Gorki’s approval helped Stalin to bring the arts in the USSR under tight political control. The price Stalin had to pay was to have to listen to the writer’s complaints about the maltreatment of various intellectuals by the authorities. But fortunately for Stalin, Gorki died in summer 1936. The rumour grew that the NKVD poisoned him for importuning the General Secretary a little too often. However that may have been, his death freed Stalin to transform Gorki into an iconic figure in the official arts of the USSR.
