The Adolescent полностью

And she kissed her, I don’t know what for, but that was precisely what needed to be done; so that I almost rushed myself to kiss Tatyana Pavlovna. It was precisely necessary not to crush Liza with reproach, but to greet with joy and felicitation the new beautiful feeling that undoubtedly must have been born in her. But, instead of all these feelings, I suddenly stood up and began, firmly rapping out the words:

“Makar Ivanovich, you have again used the word ‘seemliness,’ and just yesterday and for all these days I’ve been suffering over that word . . . and all my life I’ve been suffering, only before I didn’t know over what. I consider this coincidence of words fateful, almost miraculous . . . I announce it in your presence . . .”

But I was instantly stopped. I repeat: I didn’t know about their agreement concerning mama and Makar Ivanovich; and judging by my former doings, they certainly considered me capable of any scandal of that sort.

“Stifle him, stifle him!” Tatyana Pavlovna turned utterly ferocious. Mama began to tremble. Makar Ivanovich, seeing everyone’s fright, also became frightened.

“Arkady, enough!” Versilov cried sternly.

“For me, ladies and gentlemen,” I raised my voice still more, “for me to see you all next to this babe” (I pointed to Makar) “is unseemly. There’s only one saint here, and that’s mama, but she, too . . .”

“You’ll frighten him!” the doctor said insistently.

“I know I’m the whole world’s enemy,” I began to babble (or something of the sort), but, turning around once more, I looked defiantly at Versilov.

“Arkady,” he cried again, “there has already been exactly the same scene here between us! I beg you, restrain yourself now!”

I cannot express with what strong feeling he uttered this. Extreme sadness, the most sincere, the fullest, was expressed in his features. Most surprising of all was that he looked as if he were guilty: I was the judge, and he was the criminal. All this finished me off.

“Yes!” I cried to him in reply, “there has already been exactly the same scene, when I buried Versilov and tore him out of my heart . . . But then there followed the resurrection from the dead, while now . . . now there will be no dawn! but . . . but all of you here will see what I’m capable of! You don’t even expect what I can prove!”

Having said this, I rushed to my room. Versilov ran after me . . .

V

I SUFFERED A relapse of my illness; I had a very strong attack of fever, with delirium towards nightfall. But it was not all delirium: there were countless dreams, a whole series and without measure, among which there was one dream or fragment of a dream that I’ve remembered all my life. I’ll recount it without any explanations. It was prophetic and I cannot omit it.

I suddenly found myself, with some grand and proud design in my heart, in a big and lofty room; but not at Tatyana Pavlovna’s: I remember the room very well; I make note of that, running ahead. But though I’m alone, I constantly feel, with uneasiness and torment, that I’m not alone at all, that I’m expected and that something is expected of me. Somewhere behind the doors, people sit and expect me to do something. The sensation is unbearable: “Oh, if only I were alone!” And suddenly she comes in. She looks timid, she’s terribly afraid, she peeks into my eyes. The document is in my hand. She smiles in order to charm me, she fawns on me; I’m sorry, but I begin to feel disgust. Suddenly she covers her face with her hands. I fling the “document ” on the table with inexpressible contempt: “Don’t beg, take it, I need nothing from you! I revenge myself for all my insults with contempt! ” I walk out of the room, breathless with immeasurable pride. But in the doorway, in the darkness, Lambert seizes me: “Cghretin, cghretin!” he whispers, holding me back by the arm with all his might. “She’ll have to open a boarding school for high-born girls on Vassilievsky Island” (N.B. that is, to support herself, if her father, learning about the document from me, deprives her of her inheritance and drives her out of the house. I set down Lambert’s words literally as I dreamed them).

“Arkady Makarovich is searching for ‘seemliness,’” comes Anna Andreevna’s little voice, somewhere nearby, right there on the stairs; but it is not praise but unbearable mockery that sounds in her words. I return to the room with Lambert. But, seeing Lambert, she suddenly begins to guffaw. My first impression is horrible fright, such fright that I stop and do not want to go closer. I look at her and can’t believe it; it’s as if she has suddenly taken a mask from her face: the same features, but as if each line of her face has been distorted by boundless impudence. “The ransom, lady, the ransom!” shouts Lambert, and the two of them guffaw still more, and my heart sinks: “Oh, can this shameless woman possibly be the same one at whose mere glance my heart boiled over with virtue?”