In Omaha there were little houses in rows, spreading trees all the way to the malls, the place dusty tan with the blue-green blotches of trees. But in the empty old town, the railroad depot still offered its chessboard floor and waiting benches as finely finished as pianos. You could take a train to New York, although that wasn't as easy as it used to be. At the Bohemian Café, where they sold ceramic bottles of Jim Beam shaped and painted like Czech girls, and the waitresses in traditional dress were themselves shaped like bottles, bearing magnificent quantities of platters on their brawny arms, food travelled to and fro according to the same laws, in a union of love and shame, leaving the restaurant inside people's bellies, rolling past the neon beer-lights of bars in the Czech section, entering the little houses in rows, becoming flesh, then dirt at last, dusty tan dirt under the blue-green blotches of trees. It changed into plants and animals. The blonde cheerleader who'd shot her arm up on TV was made out of Nebraska, but when she came home from the game she'd have atoms of Oklahoma inside her. This I have learned by following the contours of universal law. Those atoms would not receive their due, either from her or from anyone she'd ever meet, but for all of that, they wouldn't go away since doing so would have left them even more emptied of their Oklahoma selfhood than remaining a part of somebody who had once at least paid lip service to the sovereignty of Oklahoma. And so the blonde cheerleader would marry, move to Iowa and die, becoming dirt, then barley, but at that point the suppressed principle of Oklahoma would bust out in an angry taint; she'd be barley that the snow geese wouldn't eat. The end would be autumn, as they say, but the middle was midsummer lying heavy on Omaha on the day that the blonde cheerleader came home to tall light-globes, signs on poles, lines of concrete splitting the grass. Summer besieged Omaha's chilly warehouse-wide supermarkets whose white aisles (mopped and polished continually) could fit six shopping carts abreast; there was a whole lane of nothing but potato chips. Outside, the summer said:
The cardboard house smelled of urine. The door was part of a packing crate curtained with flower-print cloth. Inside, an old sofa and a chair squatted on the rubble. The dresser was the shell of a dead television. The rear wall was the long brick-edge of the factory that all the other cardboard houses embraced. There was sunlight on the bricks.
Next to this house was a mile of others.