At this stage, too, he had other matters to think about. After arriving at the resort he had contacted Dr Laing, as instructed by the after-care officers at the hospital, expecting the physician to follow him everywhere. But whether deliberately or not, Laing had not been particularly interested in Melville, this ex-pilot who had turned up here impulsively in his expensive car and was now prowling restlessly around the solarium as if hunting for a chromium rat. Laing worked at the Science Research Council laboratory five miles inland, and clearly valued the privacy of the prefabricated solarium he had erected on the sand-bar at the southern end of the resort. He greeted Melville without comment, handed him the keys to the beach-house, and left him to it.
This lack of interest was a relief to Melville, but at the same time threw him on to himself. He had arrived with two suitcases, one filled with newly purchased and unfamiliar clothes, the other holding the hospital X-ray plates of his head and the photographs of Wake Island. The X-ray plates he passed to Dr Laing, who raised them to the light, scrutinizing these negatives of Melville’s skull as if about to point out some design error in its construction. The photographs of Wake Island he returned without comment.
These illustrations of the Pacific atoll, with its vast concrete runways, he had collected over the previous months. During his convalescence at the hospital he had joined a wildlife conservation society, ostensibly in support of its campaign to save the Wake Island albatross from extinction — tens of thousands of the goony birds nested at the ends of the runways, and would rise in huge flocks into the flight-paths of airliners at take-off. Melville’s real interest had been in the island itself, a World War II airbase and now refuelling point for trans-Pacific passenger jets. The combination of scuffed sand and concrete, metal shacks rusting by the runways, the total psychological reduction of this man-made landscape, seized his mind in a powerful but ambiguous way. For all its arid, oceanic isolation, the Wake Island in Melville’s mind soon became a zone of intense possibility. He day-dreamed of flying there in a light aircraft, island-hopping across the Pacific. Once he touched down he knew that the migraines would go away for ever. He had been discharged from the Air Force in confused circumstances, and during his convalescence after the accident the military psychiatrists had been only too glad to play their parts in what soon turned out to be an underrehearsed conspiracy of silence. When he told them that he had rented a house from a doctor in this abandoned resort, and intended to live there for a year on his back pay, they had been relieved to see him go, carrying away the X-ray plates of his head and the photographs of Wake Island.
‘But why Wake Island?’ Dr Laing asked him on their third chess evening. He pointed to the illustrations that Melville had pinned to the mantelpiece, and the technical abstracts lavishly documenting its geology, rainfall, seismology, flora and fauna. ‘Why not Guam? Or Midway? Or the Hawaiian chain?’
‘Midway would do, but it’s a naval base now — I doubt if they’ll give me landing clearance. Anyway, the atmosphere is wrong.’ Discussing the rival merits of various Pacific islands always animated Melville, feeding this potent remythologizing of himself. ‘Guam is forty miles long, covered with mountains and dense jungle, New Guinea in miniature. The Hawaiian islands are an offshore suburb of the United States. Only Wake has real time.’
‘You were brought up in the Far East?’
‘In Manila. My father ran a textile company there.’
‘So the Pacific area has a special appeal for you.’
‘To some extent. But Wake is a long way from the Philippines.’
Laing never asked if Melville had actually been to Wake Island. Clearly Melville’s vision of flying to this remote Pacific atoll was unlikely to take place outside his own head.
However, Melville then had the good luck to discover the aircraft buried in the dunes.
When the tide was in, covering the sand-flats, Melville was forced to walk among the dunes above his beach-house. Driven and shaped by the wind, the contours of the dunes varied from day to day, but one afternoon Melville noticed that a section below the ridge retained its rectilinear form, indicating that some man-made structure lay below the sand, possibly the detached roof of a metal barn or boat-house.
