The new tsar – the man responsible, more than anyone, for the Crimean War – was 29 when he succeeded his brother to the Russian throne. Tall and imposing, with a large, balding head, long sideburns and an officer’s moustache, Nicholas I was every inch a ‘military man’. From an early age he had developed an obsessive interest in military affairs, learning all the names of his brother’s generals, designing uniforms, and attending with excitement military parades and manoeuvres. Having missed out on his boyhood dream of fighting in the war against Napoleon, he prepared himself for a soldier’s life. In 1817 he received his first appointment, Inspector-General of Engineers, from which he derived a lifelong interest in army engineering and artillery (the strongest elements of the Russian military during the Crimean War). He loved the routines and discipline of army life: they appealed to his strict and pedantic character as well as to his spartan tastes (throughout his life he insisted on sleeping on a military campbed). Courteous and charming to those in his intimate circle, to others Nicholas was cold and stern. In later life he grew increasingly irritable and impatient, inclined to rash behaviour and angry rages, as he succumbed to the hereditary mental illness that troubled Alexander and Nicholas’s other older brother, the Grand Duke Constantine, who renounced the throne in 1825.14
More than Alexander, Nicholas placed the defence of Orthodoxy at the centre of his foreign policy. Throughout his reign he was governed by an absolute conviction in his divine mission to save Orthodox Europe from the Western heresies of liberalism, rationalism and revolution. During his last years he was led by this calling to fantastic dreams of a religious war against the Turks to liberate the Balkan Christians and unite them with Russia in an Orthodox empire with its spiritual centres in Constantinople and Jerusalem. Anna Tiutcheva, who was at his court from 1853, described Nicholas as ‘the Don Quixote of autocrats – terrible in his chivalry and power to subordinate everything to his futile struggle against History’.15
Nicholas had a personal connection to the Holy Land through the New Jerusalem Monastery near Moscow. Founded by Patriarch Nikon in the 1650s, the monastery was situated on a site chosen for its symbolic resemblance to the Holy Land (with the River Istra symbolizing the Jordan). The ensemble of the monastery’s churches was laid out in a sacred topographical arrangement to represent the Holy Places of Jerusalem. Nikon also took in foreign monks so that the monastery would represent the multinational Orthodoxy linking Moscow to Jerusalem. Nicholas had visited the monastery in 1818 – the year his first son, the heir to the throne, was born (a coincidence he took to be a sign of divine providence). After the monastery was partially destroyed by fire Nicholas directed plans to reconstruct its centrepiece, the Church of the Resurrection, as a replica of the Church of the Holy Sepulchre in Jerusalem, even sending his own artist on a pilgrimage to make drawings of the original, so that it could be rebuilt on Russian soil.16
None of Nicholas’s religious ambitions were immediately obvious in 1825. There was a gradual evolution in his views from the first years of his reign, when he upheld the legitimist principles of the Holy Alliance, to the final period before the Crimean War, when he made the championing of Orthodoxy the primary goal of his aggressive foreign policy in the Balkans and the Holy Lands. But from the start there were clear signs that he was determined to defend his co-religionists and take a tough position against Turkey, beginning with the struggle over Greece.
Nicholas restored relations with Kapodistrias, whose active support for the Greek cause had forced him to resign from the Foreign Ministry and leave Russia for exile in 1822. He threatened war against the Turks unless they evacuated the Danubian principalities, and accepted plans from his military advisers to occupy Moldavia and Wallachia in support of the Greek cause. The Tsar was closely guided by his Foreign Minister, Karl Nesselrode, who had lost patience with the Concert of Europe and joined the war party, not out of love for the Greek rebels, but because he realized that a war against the Turks would promote Russian goals in the Near East. At the very least, reasoned Nesselrode, the threat of Russian intervention would force the British into joining Russia in efforts to resolve the Greek Question, if only to prevent the Tsar from exercising overwhelming influence in the region.17
