Fenwick shook his head slowly and smiled. "You've forgotten the boys working in their basements and in their back yard garages. You've forgotten the guys that persuade the wife to put up with a busted-down automatic washer for another month so they can buy another hundred bucks worth of electronic parts. You've remembered the guys who have Ph. D.'s for writing 890-page dissertations on the Change of Color in the Nubian Daisy after Twilight, but you've forgotten guys like George Durrant, who can make the atoms of a crystal turn handsprings for him."

Baker leaned back in his chair and smiled. He almost wished he hadn't wasted the effort of trying to show Fenwick. But, then, he had tried. And he would always have regretted it if he hadn't.

"You're referring now to the crackpot fringe?" he said.

"I suppose so," said Fenwick. "I've heard it called that before."

"One of the things, above all else, which the Index was designed to accomplish," said Baker, "was the screening out of all elements that might be ever so remotely associated with the crackpot fringe. And believe me, you'll never know how strong it is in this country! Every two-bit tinkerer wants a handout to develop his world-shaking gadget that will suppress the fizz after the cap is removed from a pop bottle, or adapt any apartment-size bathtub for raising tropical fish."

"You ever heard of the flotation process?" said Fenwick abruptly.

Baker frowned at the sudden shift of thought. "Of course—"

"What would the world be like without the flotation process?"

"The metals industry would be vastly different, of course. Copper would be much scarcer and higher priced. Gold—"

"A ton of ore and maybe a pound of recovered metal, right?" said Fenwick. "Move a mountain of waste to get anything of value. Crush millions of tons of rock and float out the pinpoint particles of metal on bubbles of froth."

"That's a rough description of what happens."

"You've heard of high-grading."

"Of course. A somewhat colloquial term used in mining."

"The high-grader takes a pick and digs for anything big enough to see and pick up with his hands. He doesn't worry about the small stuff that takes sweat and machinery to recover."

"I suppose so. I fail to see the significance—"

"You're high-grading, Bill," said Fenwick. He leaned across the desk and spoke with bitter intensity. "You're high-grading and you should be using a flotation process."

Fenwick slowly drew back in his chair. Baker felt overwhelmed by the sudden intensity he had never before seen displayed in John Fenwick. Any reaction on his part seemed suddenly inadequate. "I fail to see any connection—," he said finally.

Fenwick looked at him steadily. "Human creativeness can be mined only by flotation methods. It's in low-grade ore. Process a million stupid notions and find a pin point of genius. Turn over enormous wastes of human thought and recover a golden principle. But turn your back on these mountains of low-grade material and you shut out the wealth of creative thought that is buried in them. More than that, by high-grading only where rich veins have appeared in the past, you're mining lodes that have played out."

"An ingenious analogy," said Baker, recovering with a smile now. "But it's hardly an accurate or applicable one. The human mind is not a piece of precious metal found in a mountain of ore. Rather, it's an intricate device capable of producing computations of unbelievable complexity. And we know how such devices that are superior in function are produced, and we know what their characteristics are. We also know that such a device does not 'play out'. If it is superior in function, it can remain so for a long time."

"High-grading," said Fenwick. "And the vein is played out. You'll never find the thing you're looking for until you develop means of processing low-grade material."

Baker watched Fenwick across the desk. He was weary of the whole thing. He certainly had no need to prove himself to this man. He had simply tried to do Fenwick a favor, and Fenwick had thrown it right back in his face. Yet there was a temptation to go on, to prove to Fenwick the difference between their two worlds. Fenwick belonged to a world compounded of inevitable failure. The temptation to show him, to try again to lift him out of it was born of a kind of pity for Fenwick.

Baker's own life had arrowed decisively, without waver, to a goal that was as correct as the tolerances of human error could make it. He often permitted himself the pride of considering his mind somewhat as a computer that had been programmed through a magnificent gene inheritance to drive irresistibly toward the precise goals he had reached. But Fenwick—Fenwick was still fumbling around in a morass of uncertainty. After years of erratic starts and stops he was now confusedly trying to make something out of that miserable little institution called Clearwater College.

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