He did not turn to Keda. He stood motionless, his hands at his head. Keda could feel no grief. The corners of her mouth lifted. The time for horror was not yet. This was not real – yet. She saw Rantel raise himself upon his left arm. He groped for his dagger and felt it beside him in the dew. His life was pouring from the wound in his breast. Keda watched him as, summoning into his right arm what strength remained in his whole body, he sent the dagger running through the air with a sudden awkward movement of his arm. It found its mark in a statue’s throat. Braigon’s arms fell to his sides like dead weights. He tottered forward, swayed for a little, the bone hilt at his gullet, and then collapsed lifeless across the body of his destroyer.

‘THE SUN GOES DOWN AGAIN’

‘Equality’, said Steerpike, ‘is the thing. It is the only true and central premise from which constructive ideas can radiate freely and be operated without prejudice. Absolute equality of status. Equality of wealth. Equality of power.’

He tapped at a stone that lay among the wet leaves with his swordstick and sent it scurrying through the undergrowth.

He had waylaid Fuchsia with a great show of surprise in the pine woods as she was returning from an evening among the trees. It was the last evening before the fateful day of the burning. There would be no time tomorrow for any dallying of this kind. His plans were laid and the details completed. The Twins were rehearsed in their rôles and Steerpike was reasonably satisfied that he could rely on them. This evening, after having enjoyed a long bath at the Prunesquallors’, he had spent more time than usual dressing himself. He had plastered his sparse tow-coloured hair over his bulging forehead with unusual care, viewing himself as he did so from every angle in the three mirrors he had erected on a table by the window.

As he left the house, he spun the slim swordstick through his fingers. It circled in his hand like the spokes of a wheel. Should he, or should he not pay a quick call on the Twins? On the one hand he must not excite them, for it was as though they had been primed for an examination and might suddenly forget everything they had been taught. On the other hand, if he made no direct reference to tomorrow’s enterprise but encouraged them obliquely it might keep them going through the night. It was essential that they should have a good night’s sleep. He did not want them sitting bolt upright on the edge of their bed all night staring at each other, with their eyes and mouths wide open.

He decided to pay a very short visit and then to take a stroll to the wood, where he thought he might find Fuchsia, for she had made a habit of lying for hours beneath a certain pine in what she fondly imagined was a secret glade.

Steerpike decided he would see them for a few moments, and at once he moved rapidly across the quadrangle. A fitful light was breaking through the clouds, and the arches circumscribing the quadrangle cast pale shadows that weakened or intensified as the clouds stole across the sun. Steerpike shuddered as he entered the sunless castle.

When he came to the door of the aunts’ apartments he knocked, and entered at once. There was a fire burning in the grate and he walked towards it, noticing as he did so the twin heads of Cora and Clarice twisted on their long powdered necks. Their eyes were staring at him over the embroidered back of their couch, which had been pulled up to the fire. They followed him with their heads, their necks unwinding as he took up a position before them with his back to the fire, his legs astride, his hands behind him.

‘My dears,’ he said, fixing them in turn with his magnetic eyes; ‘my dears, how are you? But what need is there to ask? You both look radiant. Lady Clarice, I have seldom seen you look lovelier; and your sister refuses to let you have it all your own way. You refuse utterly, Lady Cora, don’t you? You are about as bridal as I ever remember you. It is a delight to be with you again.’

The twins stared at him and wriggled, but no expression appeared in their faces.

After a long silence during which Steerpike had been warming his hands at the blaze Cora said, ‘Do you mean that I’m glorious?’

‘That’s not what he said,’ came Clarice’s flat voice.

‘Glorious’, said Steerpike, ‘is a dictionary word. We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect. In dead and shackled language, my dears, you are glorious, but oh, to give vent to a brand new sound that might convince you of what I really think of you, as you sit there in your purple splendour, side by side! But no, it is impossible. Life is too fleet for onomatopoeia. Dead words defy me. I can make no sound, dear ladies, that is apt.’

‘You could try,’ said Clarice. ‘We aren’t busy.’

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