Steerpike had reached the further shore and the party of men had resumed their
COUNTESS GERTRUDE
Long after the drop of lake water had fallen from the ilex leaf and the myriad reflections that had floated on its surface had become a part of the abactina of what had gone for ever, the head at the thorn-prick window had remained gazing out into the summer.
It belonged to the Countess. She was standing on a ladder, for only in such a way could she obtain a view through that high, ivy-cluttered opening. Behind her the shadowy room was full of birds.
Blobs of flame on the dark crimson wallpaper smouldered, for a few sunbeams shredded their way past her head and struck the wall with silent violence. They were entirely motionless in the half light and burned without a flicker, forcing the rest of the room into still deeper shade, and into a kind of subjugated motion, a counter-play of volumes of many shades between the hues of deep ash-grey and black.
It was difficult to see the birds, for there were no candles lighted. The summer burned beyond the small high window.
At last the Countess descended the ladder, step after mammoth step, until both feet on the ground she turned about, and began to move to the shadowy bed. When she reached its head she ignited the wick of a half-melted candle and, seating herself at the base of the pillows, emitted a peculiarly sweet, low, whistling note from between her great lips.
For all her bulk it was as though she had, from a great winter tree, become a summer one. Not with leaves was she decked, but, thick as foliage, with birds. Their hundred eyes twinkled like glass beads in the candlelight.
‘Listen,’ she said, ‘We’re alone. Things are bad. Things are going wrong. There’s evil afoot. I know it.’
Her eyes narrowed. ‘But let ’em try. We can bide our time. We’ll hold our horses. Let them rear their ugly hands, and by the Doom, we’ll crack ’em chine-ways. Within four days the Earling – and then I’ll take him, babe and boy – Titus the Seventy-seventh.’
She rose to her feet, ‘God shrive my soul, for it’ll need it!’ she boomed, as the wings fluttered about her and the little claws shifted for balance. ‘God shrive it when I find the evil thing! For absolution, or no absolution – there’ll be
‘Satisfaction,’ she repeated huskily, with something purr-like in the heavy-sounding syllables. ‘In Titus it’s all centred. Stone and mountain – the Blood and the Observance. Let them touch him. For every hair that’s hurt I’ll stop a heart. If grace I have when turbulence is over – so be it; and if not – what then?’
THE APPARITION
Something in a white shroud was moving towards the door of the twins’ apartment. The Castle was asleep. The silence like space. The Thing was inhumanly tall and appeared to have no arms.
In their room the aunts sat holding each other by the empty grate. They had been waiting so long for the handle of the door to turn. This is now what it began to do. The twins had their eyes on it. They had been watching it for over an hour – the room ill lit – their brass clock ticking. And then, suddenly, through the gradually yawning fissure of the door the Thing entered, its head scraping the lintel – its head grinning and frozen, was the head of a skull.
They could not scream. The twins could not scream. Their throats were contracted; their limbs had stiffened. The bulging of their four identical eyes was ghastly to see, and as they stood there, paralysed, a voice from just below the grinning skull cried:
‘Terror! terror! terror! pure; naked; and bloody!’
And the nine-foot length of sheet moved into the room.
Old Sourdust’s skull had come in useful. Balanced on the end of the sword-stick, and dusted with phosphorus, the sheet hanging vertically down its either side, and kept in place by a tack through the top of the cranium, Steerpike was able to hold it three feet above his own head and peer through a slit he had made in the sheet at his eye level. The white linen fell in long sculptural folds to the floor of the room.
