The sound came from the black and hollow land that spread to the south in a honeycomb of under-river masonry: the sound grew louder.

‘Here they come again,’ said Crabcalf. ‘What dandy boys they are, and no mistake.’

The others made no reply, but remained motionless, waiting for the appearance of the hounds.

‘It is later than I thought,’ said Foux-Foux … ‘but look, look …’

But there was nothing to see. It was only the shifting of a long shadow and a glimmer across the saturated bricks. The hounds were still a league or more away.

Why were these men with their heads cocked upon one side so anxious to see the entrance of the hounds? Why were they so intent?

It was always like this in the Under-River, for the days and nights could be so unbearably monotonous: so long: so featureless, that whenever anything really happened, even when it was expected, the darkness appeared to be momentarily pierced, as though by a thought in a dead skull, and the most trivial happening took on prodigious proportions.

But now, as other figures emerged out of the semi-darkness, there appeared out of the shadowy south seven loping hounds.

They were exceptionally lean, their ribs showing, but were by no means ill. Their heads were held high as though to remind the world of a proud lineage, and their teeth were bared as a reminder of something less noble. Their tongues lolled out of the sides of their mouths. Their skulls were chiselled. They panted as they passed: their nostrils dilated; their eyes shone. There were seven of them, and now they were gone, even the sound of them, and the night welled up again.

Where are they now, those hot-breath’d lopers? They have veered away through colonnades a-drip. They have reached a lake four inches deep and a mile across where their feet splash in the shallow, sombre water. The spray surrounds them as they gallop in a pack so tight, that it seems they are one creature.

On the far side of the broad-skirted water-sheen the floor rose a little, and the ground was comparatively dry. Here, pranked across the lamp-lit slope were small communities similar to the group that had for its recumbent centre the bedridden Crabcalf. Similar, but different, for in every head are disparate dreams.

And so, at speed, threading the groups lit here and there with lamps, the dog-pack all of a sudden and seemingly with no warning doubled its speed until it reached a district where there was more light than is common beneath the river. Scores of lamps hung from nails in the great props or stood on ledge or shelf, and it was beneath a circle of these that the hounds drew up and lifted their heads to the dripping ceiling, and gave one single simultaneous howl. At the sound of this a tall spare man with a minute fleshless head, like the head of a bird, came out of the lamp-stained gloom, his white apron stained with blood, for in his arms he held seven hunks of crimson horse-flesh. As he approached them, the hounds quivered.

But he did not give them to the dogs at once. He lifted the dripping things above his head, where they shone with a ghostly, almost luminous red. Then forming his mouth into a perfect circle he hooted, and in the silence the echoes replied, and it was at the sound of the fourth echo that he tossed the crimson steaks high into the air. The hounds, taking their turn, one after the other, leaped at the falling meat, gripped it between their teeth, and then, turning in their tracks, galloped, with their heads held high, across the great sheet of water where they disappeared into the wet darkness.

The man with the bird-like head wiped his hand on his apron’d hips and plunged his long arms up to the elbows in a tub of tepid water. Beyond the tub, twenty feet to the west was a wall, covered with rank ferns, and in this wall was an arched doorway. On the other side of this door was a room lit by six lamps.

FIFTY-TWO

Here, in this fern-hung chamber, set about with cracked and broken mirrors to reflect the light of the lamps, are a group of characters. Some lie reclined upon mildewed couches: some sit upright on wickerwork chairs: some are gathered about a central table.

They are talking in a desultory way, but when they hear the bird-headed man begin his hooting, the sound of their conversation subsides. They have heard it a thousand times and are blunted to the strangeness of it, yet they listen as though every time were the first.

At one end of a rotting couch, with his great bearded chin propped up by knuckly fists, sits an ancient man. At the other end sits his equally ancient wife with her feet tucked up beneath her. The three of them (man, wife, and couch) present a picture of venerable decrepitude.

The ancient man sits very still, occasionally lifting his hand and staring at something that is crawling across his wrist.

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