But Fogg didn’t stop. The audience shifted uncomfortably, and somebody said something. Fogg kept on working Quentin’s hands with both of his, kneading them. He bent Quentin’s fingers back, stretching them apart so that the webs between his fingers burned. Light seemed to flash between their hands.
“I said, stop it!” Quentin jerked his hands away.
It was surprising how good the anger felt. It was something to grab on to. In the shocked silence that followed he took a deep breath and forced it out through his nose. When it was out he felt like he’d expelled some of his despair with it. He’d had enough of being judged. He’d been sucking it up his whole life, but even he had his limit.
Fogg was talking again, but now Quentin wasn’t even listening. He had begun to recite something under his breath, something familiar. It took him a second to realize that the words he was mouthing weren’t English; they were from the foreign language he had invented earlier that afternoon. It was an obscure language—he’d decided—indigenous to a single tropical archipelago, a languorous hot-weather paradise, a Gauguin painting, blessed with black sand beaches and breadfruit trees and freshwater springs and endowed with an angry, glowing red volcano god and an oral culture rich in obscene expletives. He spoke this language fluently, with no accent, like a native. The words he spoke were not a prayer, exactly. More of an incantation.
Quentin stopped shuffling the cards. There was no going back. Everything snapped into very slow, slow motion, as if the room had filled up with a viscous but perfectly clear liquid in which everyone and everything floated easily and calmly. Everyone and everything except for Quentin, who moved quickly. With two hands together, as if he were releasing a dove, he tossed the deck of cards lightly up to the ceiling. The deck broke apart and scattered in flight, like a meteorite losing cohesion in the atmosphere, and as the cards fluttered back down to earth they stacked themselves on the tabletop. They formed a house of cards. It was a recognizable, if impressionistic, model of the building they were sitting in. The cards fell as if by chance, but each one perfectly, snapping into place magnetically, edge to edge, one after other. The last two, the aces of spades and hearts, leaned up against each other to make the roof over the clock tower.
Now the room was absolutely still. Dean Fogg sat as if he were frozen in place. All the hairs were standing up on Quentin’s arms, but he knew what he was doing. His fingers left almost imperceptible phosphorescent trails behind them in the air. He definitely felt high. He leaned forward and blew lightly on the card house, and it collapsed back down into a neatly stacked deck. He turned the deck over and fanned it out on the table like a blackjack dealer. Every card was a Queen—all the standard suits, plus other suits that didn’t exist, in different colors, green and yellow and blue. The Queen of Horns, the Queen of Clocks, the Queen of Bees, the Queen of Books. Some were clothed, some were shamelessly naked. Some of them had Julia’s face. Some of them had the lovely paramedic’s.
Dean Fogg watched Quentin intently. Everybody watched him. Watch this: Quentin squared the deck again and with no particular effort ripped it in half and then ripped the halves in half and tossed the resulting confetti at the assembled company, who all flinched except for Fogg.
He stood up. His chair fell over backward.
“Tell me where I am,” Quentin said softly. “Tell me what I’m doing here.”
He picked up the stack of nickels in his fist, only it was no longer a stack of coins, it was the hilt of a bright, burning sword that he drew easily out of the tabletop, as if it had been left there buried up to the hilt.
“Tell me what’s going on here,” Quentin said, louder, to the room. “And if this place isn’t Fillory, then for fuck’s sake will somebody please tell me where the hell I am?”
Quentin let the tip of the sword hover under Fogg’s nose for a slow ten-count, then he reversed his grip and stabbed it down into the wood of the table. The point bit deep into the buttery wood and stuck there.
Fogg didn’t move. The sword waggled in place. Quentin sniffed involuntarily. The last of the light from the window died. It was night.
“Well now,” the Dean said finally. He removed a neatly folded handkerchief from his pocket and patted his forehead. “I think we can all agree that that was a Pass.”
Somebody—it was the old guy with the knots—put a reassuring hand on Quentin’s back and gently, with surprising strength, drew the sword out of the table and laid it safely on its side. A slow patter of applause arose from the assembled examiners. It quickly turned into an ovation.
