That equilibrium, already precarious, changed when Pasquale reappeared. He was working at a construction site in the area and had come to San Giovanni a Teduccio for a meeting of the local section of the Communist Party. He and Enzo met on the street, by chance, and immediately regained their old intimacy. They ended up talking about politics, and manifested the same dissatisfaction. Enzo expressed himself cautiously at first, but Pasquale, surprisingly, although he had an important local post—secretary of the section—proved to be anything but cautious, and he criticized the party, which was revisionist, and the union, which too often closed both eyes. The two spent so long talking that Lila found Pasquale in the house at dinnertime and had to feed him as well.

The evening began badly. She felt herself observed, and had to make an effort not to get angry. What did Pasquale want, to spy on her, report to the neighborhood how she was living? What right did he have to come there to judge her? He didn’t speak a single friendly word, he brought no news of her family—of Nunzia, of her brother Rino, of Fernando. Instead he gave her male looks, the kind she got in the factory, appraising, and if she became aware of them he turned his eyes elsewhere. He must have found that she had grown ugly. Surely he was thinking, How could I, as a boy, have fallen in love with this woman, I was a fool. And without a doubt he considered her a terrible mother, since she could have brought up her son in the comfort of the Carracci grocery stores and instead she had dragged him into that poverty. At a certain point Lila said huffily to Enzo, you clean up, I’m going to bed. But Pasquale, to her surprise, assumed a grandiose tone and said to her, with some emotion: Lina, before you go I have to tell you one thing. There is no woman like you, you throw yourself into life with a force that, if we all had it, the world would have changed a long time ago. Then, having broken the ice in this way, he told her that Fernando had gone back to resoling shoes, that Rino had become Stefano’s cross to bear, and was constantly begging him for money, that Nunzia he rarely saw, she never left the house. But you did well, he repeated: no one in the neighborhood has kicked the Carraccis and the Solaras in the face as much as you, and I’m on your side.

After that he showed up often, which cut into their studying. He would arrive at dinnertime with four hot pizzas, playing his usual role of someone who knows all about how the capitalist and anti-capitalist world functions, and the old friendship grew stronger. It was clear that he lived without emotional ties; his sister Carmen was engaged and had little time for him. But he reacted to his solitude with an angry activism that Lila liked, that interested her. Although crushed by hard labor at the construction sites, he was involved in union activities: he threw blood-red paint at the American consulate, if there were fascists to be beaten up he was always on the front lines, he was a member of a worker-student committee where he continuously quarreled with the students. Not to mention the Communist Party: because of his critical position he expected at any moment to lose his post as secretary of the section. With Enzo and Lila he spoke freely, mixing personal resentments and political arguments. They tell me I’m an enemy of the party, he complained, they tell me I make too much of a fuss, I should calm down. But they are the ones who are destroying the party, they are the ones turning it into a cog in the system, they are the ones who’ve reduced anti-fascism to democratic oversight. But do you know who’s been installed as the head of the neighborhood fascists? The pharmacist’s son, Gino, an idiot slave of Michele Solara. And must I put up with the fact that the fascists are raising their heads again in my neighborhood? My father—he said, with emotion—gave his entire self to the party, and why: for this watered-down anti-fascism, for this shit we have today? When that poor man ended up in jail, innocent, completely innocent, he got angry—he didn’t murder Don Achille—the party abandoned him, even though he had been a loyal comrade, even though he had taken part in the Four Days of Naples, and fought at the Ponte della Sanità, even though after the war, in the neighborhood, he had been more exposed than anyone else. And Giuseppina, his mother? Had anyone helped her? As soon as he mentioned his mother, Pasquale picked up Gennaro and sat him on his lap, saying: See how pretty your mamma is, do you love her?

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