This was where he kept her. His
She could therefore neither see nor hear anything, and yet, whenever Gus entered the chamber, the helmet turned and tracked him. Her head turned, eerily attuned to his walk, following him across the room. She gurgled and squealed as she stood in the center of the rounded corner cell, unclothed, her worn vampire body grimy from the asylum’s century-old dust. Gus had once attempted to clothe her through the bars, using cloaks, coats, then blankets, but they all fell away. She had no need for clothes and no concept of modesty. The soles of her feet had developed a pad of calluses, as thick as the treads on a pair of tennis sneakers. Insects and lice wandered freely over her body and her legs were stained, tanned by repeated defecation. Chaps of brown skin were delineated around her veiny, pale thighs and calves.
Months ago, after the fight inside the Hudson River train tunnel, once the air had cleared, Gus had separated from the others. Part of it was his nature, but part of it was his mother. He knew that she would soon find him—her Dear One—and he prepared for her arrival. When she did, Gus got the drop on her, bagging her head and hog-tying her. She fought him with ridiculous vampire strength, but Gus managed to jam the helmet on her, caging her head and trapping her stinger. Then he manacled her wrists and dragged her by the neck of the helmet to this dungeon. Her new home.
Gus reached in through the bars, sliding up her faceplate. Her dead black pupils, rimmed with scarlet, stared out at him, mad, soulless, but full of hunger. Every time he raised the iron shield, he could feel her desire to unleash her stinger, and sometimes, if she tried repeatedly, thick curtains of lubricant oozed out of any fissure in the seal.
In the course of their domestic life, Bruno, Joaquin, and Gus had formed a great, imperfect family together. Bruno was always ebullient and for some reason, he had the gift of cracking up both Gus and Joaquin. They shared every duty in the household but only Gus was allowed direct contact with his mother. He washed her, head to toe, every week and kept her cell as clean and dry as he humanly could.
The dented helmet gave her a machinelike appearance, like a banged-up robot or android. Bruno remembered a bad old movie he saw on TV late one night called
Gus pulled a small pocketknife from his jacket and unfolded the silver blade. His mother’s eyes watched him carefully—like a caged animal’s. He pushed back his left sleeve, then extended both arms through the iron bars, holding them above her helmeted head as her dead eyes tracked the silver blade. Gus pressed the sharpened point against his left forearm, cutting, leaving a thin incision of less than half an inch in length. Rich, red blood spilled from the wound. Gus angled his arm so that the blood ran down to his wrist, dripping into the open helmet.
He watched his mother’s eyes as her mouth and stinger worked unseen inside the helmet, ingesting the blood meal.
She got maybe a shot glass’s worth of him before he pulled his arms back outside the cage. Gus retreated to a small table he kept across the room, ripping a square of paper towel from a thick brown roll and applying direct pressure to the wound, then sealing the cut with liquid bandage squeezed from an almost-empty tube. He pulled a baby wipe from a pop-up box and cleaned off the bloodstain on his arm. The length of his left forearm was scored with similar knife scratches, adding to his already impressive display of body art. In feeding her, he kept tracing and retracing the same pattern, opening and reopening the same old wounds, carving the word “
“I found you some music, Mama,” he said, producing a handful of battered and burned CDs. “Some of your favorites: Los Panchos, Los Tres Ases, Javier Solis…”