In the summer of 1502 an edition of the plays of Sophocles was published with the colophon “Venetiis in Aldi Romani Academia,” thus inaugurating a remarkable sequence of all the important Greek authors in meticulously edited versions. The fonts—of Latin, Greek, and Hebrew—were beautiful, and are in fact still in use. The manuscripts were scrupulously copied, in type that seemed aesthetically to rival the original handwriting of the compilers. The printing shop had become an “academy” where visiting scholars were employed to edit the texts and to proof-read the sheets coming off the press. Greek scholars were also hired as compositors.

So by degrees there grew up an “Aldine circle” devoted to the dissemination of learning, in which the spoken language was largely Greek, prompting Aldus to describe Venice as another Athens. Erasmus became a part of that circle, as well as other itinerant scholars and humanists, and at a later date he recalled that some thirty-three employees slept and worked on the premises; he also found the food frugal, and the wine vinegary. Aldus mixed with the Venetian patricians who considered themselves to be patrons of learning; they believed that he added to the glory of Venice. The press of visitors became so great, however, that Aldus put up a notice before his door, at the corner of the Campo di S. Agostino: “Whoever you are, Aldus earnestly begs you to state your business in the fewest possible words and begone, unless, like Hercules to weary Atlas, you would lend a helping hand. There will always be enough work for you and all who come this way.”

Yet the turning of knowledge, and learning, into commodities had other consequences. It was said at the time that the abundance of books made men less studious. There were complaints about the “vulgarisation” attendant upon the new technology. In an age of cultural transition, there are always anxieties expressed by those who are still reliant upon the old order. The Aldine press helped to bring the classical authors within the view of a wider audience; the editions were smaller, and cheaper, than any others. For some scholars, this represented a threat to their cultural supremacy.

The printers of Venice also became masters of musical printing, map printing and medical printing, spreading information around Europe. Books on the human anatomy, and on military fortifications, were published. Works of popular piety, light literature in the vernacular, chapbooks, all issued from the city of the lagoon. Printing linked the various strata of the literate classes of Europe together; otherwise there would have been no such general response to the teachings of Luther. The publication of maps helped to create a new international trading economy. The commercialisation of knowledge, as a consequence of Renaissance humanism, indirectly led to religious reformation and the industrial revolution.

The Venetians did have a university but it was located twenty miles (32 km) away in Padua, the city having been taken in 1404. Venice itself would not have welcomed a large body of free-thinking students within its domain. It was also concerned with the loyalty of its own young men, and forbade Venetians to study anywhere other than Padua. So the patrician youth migrated to the mainland city in search of enlightenment, together with students from England, Germany, Poland and Hungary. Sir Francis Walsingham, the famous Elizabethan “spymaster,” and Sir Philip Sidney studied in Padua. Many of these foreigners were, by the sixteenth century, followers of the “reformed” religion of Luther and Zwingli; but their apostasy did not bother the Venetian authorities, who were in any case accustomed to the various faiths of the world.

Padua itself was most celebrated for its schools of law and of medicine, and became in the words of Thomas Coryat a “sweet emporium and mart town of learning.” There was a chair of agriculture, and a veterinary school. There was a famous department of anatomy, to which the Venetian authorities guaranteed a plentiful supply of corpses. By the middle of the sixteenth century Padua had become the most significant centre for scientific learning in Europe. In a world of institutional faith and individual piety, it offered a secular education. That was the reason for its success. “We despise,” one Venetian of the sixteenth century wrote, “knowledge of things of which we have no need.”

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