Gideon the Ninth полностью

“That’s what she said,” said Gideon, and she took the ring from Harrow’s gloved fingers. She did not put her own hood up, but she slipped her glasses back on to her nose: now that she’d adjusted she really only needed them for the midday light, but they’d become something of a comfort. She drummed her fingers on the bevelled frame of lightless stone, and then she slid the red Response key into the lock.

It fit. The lock clicked open as easily as if it had been kept oiled for the last ten thousand years. Without the slightest creak or groan of hinge, the door swung inward at a push. Gideon slipped her rapier from her belt and her knuckle-knives onto her left hand, and she walked into the darkness.

It was dark. She did not dare go farther into the quiet and shadowy stillness, thrown into deeper quiet by her necromancer slipping in behind and pushing the massive door shut. They stood in the room and smelled the age of it: the dust, the chemicals hanging in the air. You could almost smell the darkness.

Harrow’s voice, almost a whisper: “A light, Nav.”

“What?”

“You did bring a torch.”

“This is a service I was unaware I was meant to provide,” said Gideon.

There followed soft cursing. She felt Harrow turn back toward the door, measure its width with her hands, grope blindly along the doorframe in order to find a lantern: she found something, and from the wall there came a loud click. Electric lights blared to life overhead, throwing the dark and lonely room into knife-sharp relief.

Gideon didn’t know what she’d expected. She stood, rooted to the ground, and so did Harrow; and for long moments they just got their fill of looking.

It was a study, left crystallised by someone who had one day stood up and never come back to the place where they must have worked for years. It was a long, square, spacious apartment, windowless, but beautifully lit. A long rail of electric lamps threw spotlights on important points in the room’s geography. One end of the room was occupied by a laboratory: stained, scoured-laminate benches, and shelves and shelves of notes in leather-bound books or ring binders. The big metal sink and the scrubbing-up brush looked strange against the walls, which were inlaid with bones. A pot was still full of fat chalk sticks to draw diagrams, and the flasks of preserved blood were still full and very red. Tacked up over one bench were thick sheaves of flimsy, dark with graphs and models: one of the flimsies was a rough drawing of a familiar chimera, many armed, armour ribbed, squat skulled. There were jewelled tools. There were epoxy spatulas that had been melted in some experiment. There was a blown-up picture on the wall—a lithograph, or a polymer photograph—of a group of people clustered around a table. Their faces had all been scribbled out with a thick black marker pen.

Harrowhark had already drifted to the laboratory. She hadn’t drawn breath yet. She was going to have to, Gideon thought distantly, or she’d be out on the floor. The room had been split into three main parts—there was the laboratory, and then a broad space where the furniture had been moved out of the way for an empty stone floor. The wall had a sword rack, and the sword rack still held two lonely rapiers, gleaming as though they’d been filed and whetted an hour before. A training floor. Leant up against the wall was a hideous collection of oblong metal shapes and stocks. It took Gideon a long time to realise that she was looking at something goddamn ancient: it was a blowback carbine gun. She’d only ever seen pictures.

The third part of the room was a raised platform with polished wooden stairs. The wood here was not so degraded as in the rest of Canaan House—this lightless, shut-off room must have preserved it, or otherwise somehow been stopped in time. The hairs on the back of Gideon’s neck had risen when the lights came on, and they hadn’t gone back down, as if her intrusion might well tempt time back to claim its grave goods. She found herself climbing the stairs and staring at a sweetly banal and domestic sight: a bookcase, a low table, a squashy armchair, and two beds. On the table was a teapot and two cups that lay abandoned forever.