The two beds were close to each other—if you lay in one, you could stretch out and touch whoever was sleeping in the other, provided you had a long arm—separated only by a nightstand. Much like the grotesque cradle tacked to the end of the enormous four-poster back in Harrow’s bedroom, the two people here would have been in proximity to wake if the other one sneezed. On the nightstand was another lamp, and debris that people had never cleared up. A very old watch. An empty glass. A filament-fine silver bracelet with no clasp. A shallow, greasy glass dish full of grey stuff like ashes. Gideon could tell they weren’t cremains, and when she touched them a strong scent clung to her fingers. The pillows had been smoothed out on the carved wooden cots, and the beds had been made. Someone had left a pair of extremely worn slippers beneath one, a crumpled piece of flimsy next to the nightstand. Gideon picked up the latter.
Harrow let out a cry of triumph. Gideon turned away from the beds and put the flimsy in her pocket, then stretched over the stair railing to see what her necromancer was delighted about. She was by the workbench staring at two great stone tablets that had been fused to the stone, shot through with pale green filaments glowing beneath Harrow’s touch. The writing was small and cramped and the diagrams totally impenetrable in their obtuseness. Harrow was already pulling out her journal.
“It’s the theorem from the trial room,” she called out. “It’s the
completed methodology for transference—for the utilisation of a living
soul. It’s the
“Is this an exciting necromancer thing?”
“
Gideon let Harrow have at it, and opened the first drawer of the nightstand. Sitting there, offensively ordinary, were three pencils, a finger bone, a coarse sharpening stone—bones and whetstones were beginning to feed her growing suspicion about who’d lived there—and an old, worn-down seal. She stared at the seal awhile: it was the crimson-and-white emblem of the Second House.
She sat down carefully on one of the beds, and the sprung mattress squeaked. She took the piece of crumpled-up flimsy out of her pocket and began trying to uncrumple it. It was part of a note that had—at some long-ago point—been ripped up, and this was just one scrunched corner.
“I’m done,” said Harrow, from below. “Tell me anything of import.”
Gideon stuffed the piece of flimsy back into her pocket and had a quick scan through the other drawers. A lost sock. A scalpel. Oilcloth. A tin with nothing in it but the vague waft of peppermints. This was all the stuff you’d find in anyone’s bedside drawers—though then again, not quite anyone’s; a particular pair of people. She descended the stairs and tipped her dark glasses high on her head. “A cav and their necro lived here,” she said.
“I drew the same conclusion,” said Harrowhark, shuffling her papers. She put one of her diagrams close to the one inscribed on the stone tablet to compare them for accuracy. “Here. Come and take a look at this.”
Harrow’s cramped handwriting was just as bad as the etching on the tablet. At the very end of a long list of exquisitely boring notes was a line on its own:
In the hope of attaining Lyctoral understanding. All glory and love to the Necrolord Prime.
The Ninth necromancer said, “Now
“Yeah, and the fact that there are two beds upstairs and a bunch of swords also help,” said Gideon. “They were living in each other’s pockets. They studied weird Lyctoral theorems. There’s a seriously old Second House sign in one of the top drawers.”
They both took the time to roam around the room. Harrow flicked through notebooks and narrowed her eyes over the contents. Gideon picked up another book and squinted at the faded message on the flyleaf, written in black ink forever ago and frozen in time:
ONE FLESH, ONE END.
G. & P.
They combed over the detritus of two strangers’ lives; inside a forgotten tin Gideon found two expired toothbrushes. They were electronic ones, with revolving heads and push buttons.
“These aren’t just seriously old, they’re super unbelievably seriously old,” she said.
“Yes,” said Harrow. “Sextus could tell us how old, but I’ve no desire to ask him. Something has been done to preserve this room. It has not wasted away into a natural death. We’re probably the first people to step inside since its previous occupants left.”
