Sorry, said I, taking her hand. It’s late. I’m tired and a little drunk. What I really feel is a mighty urge to go forward by going back, to where things started. Rewind, you know. Rebegin. Replay.
That is known as regression, Magda declared; I bid you good night. She leaned to buss me; got wind of old Bibi, perhaps; anyhow made a small sound of pain, an indeterminate whimper. I held her to it. I don’t know what yours are like, Yours, but Lady Amherst’s lips are pleasingly dry and firm; Jeannine Mack’s (in the old days) were hot and hard; “Mary Jane’s” just lately were wet and thin and a touch maloccluded; Marsha Blank’s I don’t remember — but Magda Giulianova’s, now as a quarter-century ago, are two extraordinary items of flesh. A man cannot kiss those lips without craving to take one into his mouth; a man at once wants more… come on, Language, do it: read those lips, give them tongue! Language can’t (film either, I’m happy to add; it’s the tactile we touch on here, blind and mute) do more than pay them fervent, you know, lip service.
Tears. Not
Something of a male chauvinist, Magda was at first startled and a bit amused (the lady had once been pointed out to her in a shopping plaza). The woman’s
Magda.
She was glad, she said. She’d been worried for me since our breakup. I needed sexual companionship, not just the odd lay. She’d known I was sleeping with someone; had hoped and prayed it was someone good both in and out of bed… Breathier now, and tearier, that remarkable lower lip shaking. But God I miss it, Ambrose (Magda seldom uses nicknames, nor enounces that trochee without stirring me to the bowels. I think I know who
Ditto, Truly. Look here, Mag…
You mustn’t refuse me when I beg you, Ambrose.
Magda, you know as well as I. She was on me then: the lips, the lips, hands, hair. Poor John Thomas, thought his shift was done, took a bit of coaxing he did. Magda favors the rec-room Barcalounger, herself on top: still shy of her heavied hams, she eases herself onto me with a happy gasp, slips the gown off to give me her breasts and shoulders, goes to it. I’d early learned — unemancipated Mag! — in these circumstances to give detailed running orders for my gratification. When she gets it off she never cries out (there’s usually a sleeping child, or adult, about), just closes her eyes and makes a small, awestruck sound that goes on and on.
Sex.
Now what. She sat there a postclimactic while, holding shrunk J.T. tight in her vaginal fist and giving