“I radioed in when I was leaving the woman’s building, told O’Brien the suspect was probably heading home, and asked him to relieve me there. He said he arrived a little after midnight. The ambulance had already come and gone.”
“How’s Bert?” Byrnes asked.
“I checked a few minutes ago. He’s conscious, but they’re holding him for observation.”
“He say anything?”
“Three guys jumped him,” Brown said.
“Sons of bitches,” Byrnes said.
• • •Carella had not yet spoken to either Sal Decotto or Richard Fenner, the two remaining people listed in Sarah’s book, but he saw no reason to pursue that trail any further. He had been taken to the bars where Sarah (or rather Sadie) had picked them up, and whereas he was not the type of person who ordinarily judged a book by its cover, he had a fair idea of what the men themselves would be like. Big and mean, according to the bartender at The Saloon.
The hardest thing Carella had ever had to learn in his entire life was that there actually were mean people in the world. As a young man, he had always believed that people behaved badly only because they’d experienced unhappy childhoods or unfortunate love affairs or deaths in the family or any one of a hundred assorted traumas. He changed his mind about that when he began working for the Police Department. He learned then that there were good people doing bad things, and there were also mean rotten bastards doing bad things. The good ones ended in jail just as easily as the mean ones, but the mean ones were the ones to beware. Why Sarah Fletcher had sought out big, mean men (and apparently one mean woman as well) was anybody’s guess. If the place-listings in her book could be considered chronological, she’d gone from bad to worse in her search for partners, throwing in a solitary dyke for good measure (or was Sal Decotto a woman, too?), and ending up at Quigley’s Rest, which was no afternoon tea party.
But why? To give it back to her husband in spades? If he was playing around with someone each and every weekend, maybe Sarah decided to beat him at his own game, become not only Sadie, but a Sadie who was, in the words of her various admirers, “a crazy bitch,” “a stupid twat,” and “a wild one.” It seemed entirely possible that the only thing Carella would learn from Richard Fenner or Sal Decotto was that they shared identical opinions of the woman they had similarly used and abused. And affirmation of a conclusion leading nowhere was a waste of time. Carella tossed Sarah’s little black book into the manila folder bearing the various reports on the case, and turned his attention to the information Artie Brown had brought in last night.
Cherchez la femme was a handy little dictum perhaps used more often by the Sûreté than by the 87th. But without trying to cherche any femme, Brown had inadvertently come across one anyway, a thirty-year-old redhead who lived on the eleventh floor at 812 North Crane and with whom Gerald Fletcher had spent almost four hours the night before. It would have been a simple matter to hit the redhead’s building and find out exactly who she was, but Carella decided against such a course of action. A chat with the superintendent, however quiet, a questioning of neighbors, however discreet, might get back to the woman herself, and serve to alert Fletcher. Fletcher was the suspect. Carella sometimes had to remind himself of that fact. Sarah had been playing around with an odd assortment of men and women, five according to her own record (and God knew how many more she had not listed, and God knew what the “TG” after four of the names meant); her blatant infidelity provided Fletcher with a strong motive, despite his own weekend sorties into realms as yet uncharted. So why take Carella to his wife’s unhappy haunts, why show Carella that he had good and sufficient reason to rip that knife across her belly? And why the hell offer to get a good defense attorney for the boy who had already been indicted for the slaying and who, unless somebody came up with something concrete damn soon, might very well be convicted of the crime?
Sometimes Carella wondered who was doing what to whom.
At five o’clock that evening, he relieved Detective Hal Willis outside Fletcher’s office building downtown, and then followed Fletcher to a department store in midtown Isola. Carella did not normally go in for cops-and-robbers disguises, but Fletcher knew exactly what he looked like and so he was wearing a false mustache stuck to his upper lip with spirit gum, a wig with longer hair than his own and of a different color (a dirty blond whereas his own was brown), and a pair of sunglasses. The disguise, he was certain, would not have fooled Fletcher at close range. But he did not intend to get that close, and he felt pretty secure he would not be made. He was, in fact, more nervous about losing Fletcher than about being spotted by him.
