There was, of course, the problem of finding him. I had read my Zola and remembered well the scene in
The idea had a certain charm; she was the Nana of her age, but very much more sophisticated and self-assured. Not for her the fate of Zola's whore, who was created solely so that her fall could be charted, to prove the cruelty of human life. Elizabeth had dedicated herself to proving the opposite, that the individual could triumph, that fate is not determined. I wished her well. And I worried about the warning given to me by Madame Kollwitz. And about those diaries. And about Drennan.
But Elizabeth hated horses, she had told me once, and disliked gambling. She did not take chances; that was her main characteristic. She was no Nana, consuming men for the sake of it, reducing them to poverty or suicide because she could. She belonged to a different generation, the age of business. She bought and sold, and built up her capital. Clear-eyed and certainly more intelligent than Zola's creation, and certainly less likely to die alone in a hotel room. Elizabeth did not intend to burn brightly and die young.
In fact, the problem of finding M. Hubert was very much smaller than I had anticipated. Zola (who can never resist the gaudy and vulgar) described one of the great events of the racing year, which attracted the multitudes. For the most part, though, Longchamp was very much more homespun; the daily events attracted only the truly dedicated, or the truly possessed. Some of the horses looked as though they would rather be living out their old age in a pleasant meadow somewhere, and at least three of the jockeys might have done better by their employers had they eaten a good deal less. All in all, the atmosphere was more like a village fête than a great racecourse; the crowd numbered a few hundred, and the bookies had turned up out of duty, rather than because of any prospect of making serious money. The great refreshment areas were all closed; the stands were empty; there was no buzz of anticipation. Indeed, the air was rather a melancholy one, the spectators knowing they were not going to be greatly excited, and realising all too well that they were there simply because they could not stay away. Nor was it even an agreeable day, with a warm sun to provide some compensation for the lack of other pleasures. Instead, the sky was low and grey, and threatened rain at any moment; the wind had a chill in it, which made me regret not having brought my thicker winter coat.
For the most part, the crowd was of the shopkeeper class, with an air of desperation to their neatness, faces which were never quite right – too pinched, too ruddy, their voices too loud or too quiet. I observed them all swiftly, and dismissed them just as fast. Only one man could possibly have been a senior employee of Credit International, and he stood alone, studying his racing card with the calm of the professional, showing no emotion or interest in what he was doing. He was utterly unremarkable; had there been a greater crowd I would have stood no chance whatsoever of finding him. I watched as he approached a bookie, paid over some money, heaved a great sigh and then retreated, though not to watch the race. His interest was abstract; it seemed as though he could spend the entire afternoon there without bothering to look at a single horse. He was obsessed with numbers, not with the sport.
I followed him as he walked away from the track, hands behind his back, with a slow purposeless gait, then walked up behind him and coughed. 'Monsieur Hubert?'
He turned round to look at me, but did not smile or give any reaction. He didn't even seem curious.
'Forgive me for interrupting you,' I said. 'My name is Cort, from
Hubert looked puzzled. 'I am sure you may not,' he replied. 'Although I cannot think what you might want to ask.'
'It is about Argentinian water.'
Hubert looked very cautious at my question. 'I have nothing to tell you whatsoever. It would be utterly inappropriate.'
'I assure you that your name will never be mentioned . . .'
'That is of no significance. Please leave me in peace.'
'. . . However, if I am unable to write this story, I might have to write another one. About Amelie Feltmann. Your debts. Things like that.'