In the morning, when he sensed the house awakening, he rose. Finding a dressing gown laid ready beside his bed, he put it on, and stepped out through the rear door that Tito had shown him the night before into the arcade that connected the house with the bath hut by the lake.
Before him the little lake lay motionless, gray-green. Further off was a steep cliff, its sharp, jagged crest still in shadow, rearing sheer and cold into the thin, greenish, cool morning sky. But he could sense that the sun had already risen behind this crest; tiny splinters of its light glittered here and there on corners of rock. In a few minutes the sun would appear over the crenellations of the mountain and flood lake and valley below with light. In a mood of earnest attentiveness, Knecht studied the scene, whose stillness, gravity, and beauty he felt as unfamiliar and nevertheless of deep concern and instructiveness to him. Now, even more strongly than during yesterday’s ride, he felt the ponderousness, the coolness and dignified strangeness of this mountain world, which does not meet men halfway, does not invite them, scarcely tolerates them. And it seemed to him strange and significant that his first step into the freedom of life in the world should have led him to this very place, to this silent and cold grandeur.
Tito appeared, in bathing trunks. He shook hands with the Magister and pointing to the cliffs opposite said: “You’ve come at just the right moment; the sun will be rising in a minute. Oh, it’s glorious up here.”
Knecht gave him a friendly nod. He had learned long ago that Tito was an early riser, a runner, wrestler, and hiker, if only from protest against his father’s casual, unsoldierly, comfort-loving ways. For the same reason he refused to drink wine. These leanings occasionally led him into a pose of being an anti-intellectual child of nature — the Designoris seemed to have this bent for exaggeration. But Knecht welcomed it all, and was determined to share his interest in sports as a means for winning over and taming the temperamental young man. It would be only one means among several, and not at all the most important; music, for example, would lead them much further. Of course he had no thought of matching the young man in physical feats, let alone surpassing him. But harmless participation would suffice to show the boy that his tutor was neither a coward nor a mere bookworm.
Tito looked eagerly toward the dark crest of the mountain, behind which the sky pulsed in the morning light. Now a fragment of the rocky ridge flashed violently like a glowing metal beginning to melt. The crest blurred and seemed suddenly lower, as if it were melting down, and from the fiery gap the dazzling sun appeared. Simultaneously, the ground, the house, and their shore of the lake were illuminated, and the two, standing in the strong radiance, instantly felt the delightful warmth of this light. The boy, filled with the solemn beauty of the moment and the glorious sensation of his youth and strength, stretched his limbs with rhythmic arm movements, which his whole body soon took up, celebrating the break of day in an enthusiastic dance and expressing his deep oneness with the surging, radiant elements. His steps flew in joyous homage toward the victorious sun and reverently retreated from it; his outspread arms embraced mountain, lake, and sky; kneeling, he seemed to pay tribute to the earth mother, and extending his hands, to the waters of the lake; he offered himself, his youth, his freedom, his burning sense of his own life, like a festive sacrifice to the powers. The sunlight gleamed on his tanned shoulders; his eyes were half-closed to the dazzle; his young face stared masklike with an expression of inspired, almost fanatical gravity.
The Magister, too, was overpowered by the solemn spectacle of dawn breaking in this silent, rocky solitude. But he was even more fascinated by the human spectacle taking place before his eyes, this ceremonial dance performed by his pupil to welcome the morning and the sun. The dance elevated this moody, immature youth, conferring upon him a priestly solemnity, suddenly in a single moment irradiating and revealing to the onlooker his deepest and noblest tendencies, gifts, and destinies just as the appearance of the sun opened and illuminated this cold, gloomy mountain dale. In this moment the young man seemed to him stronger and more impressive than he had hitherto thought, but also harder, more inaccessible, more remote from culture, more pagan. This ceremonial and sacrificial dance under the sign of Pan meant more than young Plinio’s speeches and versemaking ever had; it raised the boy several stages higher, but also made him seem more alien, more elusive, less obedient to any summons.
