In his little cell Quentin practiced things he’d never had time to master before, or never dared to try. He went back to the most advanced Popper exercises—gruesomely difficult, only theoretically executable etudes that he’d faked his way through back at Brakebills. Now he repeated them over and over again, smoothing out the rough edges. He invented new, even crueler versions and mastered them as well. He relished the pain in his hands, ate it up. His enchantments took on a power and precision and fluency they’d never had before. His fingertips left tracks of fire and sparks and neon indigo smears in the air, that buzzed and whined, too bright to look at directly. His brain glowed with cold, brittle triumph. This was what Penny had been looking for when he went to Maine, but Quentin was actually doing it. Only now, he thought, now that he had killed off his human emotions, only now that he didn’t care anymore, could he wield truly superhuman power.

As the sweet spring air drifted through his room, and then the oven-hot summer air, and sweat poured down his face, and the centaurs trotted by outside his door, lofty and incurious, he came to see how Mayakovsky had performed some of the feats Quentin had found so baffling. In an empty meadow he carefully reverse-engineered Penny’s flashy Fireball spell. He found and corrected the mistakes he’d made in his senior project, the trip to the moon, and he finished Alice’s project, too, in memoriam, isolating and capturing a single photon and even observing it, Heisenberg be damned: an infinitely furious, precious, incandescent little wave-spark.

Seated in the lotus position on top of the sun-faded Florida desk, he allowed his mind to expand until it encompassed one, then three more, then six field mice in all as they went about their tiny urgent business in the grass outside his window. He summoned them to sit before him and, with a thought, gently extinguished the electrical current that lived within each of them. Their little fluffy bodies went still and cold. Then, just as easily, he touched each of them with magic, instantly relighting their tiny souls as if he were touching a match to the pilot light of a stove.

Panicked, they scrambled in all directions. He let them go. Alone in his room, he smiled at his secret greatness. He felt lordly and munificent. He had tampered with the sacred mystery of life and death. What else was there in this world that could engage his attention? Or in any world?

June ripened into July, then burst and withered and dried and became August. One morning Quentin woke up early to find a cool mist hanging low over the lawn outside his first-floor window. Standing there in plain view, looking huge and ethereal, was a white stag. It bent to crop the grass with its small mouth, tilting its grand, top-heavy rack of antlers, and he could see the muscles working in its neck. Its ears were bigger and flop-pier than he would have expected. It raised its head again when Quentin appeared in the window, conscious of being observed, then sauntered off across the lawn and disappeared unhurriedly from view. Frowning, Quentin watched it go. He went back to bed but couldn’t sleep.

Later in the day he sought out Alder Acorn Agnes Allison-fragrant-timber. He found her working an elaborate, room-size loom built to harness both the pumping power of her muscular back legs and the delicate manipulations of her human fingers.

“The Questing Beast,” she said, breathing hard, still pumping, her hands still weaving. “It is a rare sight. Undoubtedly it was drawn here by the positive energies radiated by our superior values. You are fortunate that it offered itself to some centaur’s sight while you happened to be watching.”

The Questing Beast. From The Girl Who Told Time. So that was what it looked like. Somehow he’d expected something more ferocious. Quentin patted Agnes on her glossy black hindquarters and left. He knew what he had to do.

That night he took out the leafy branch he had found in the writing desk. It was the branch that had hung in front of the Beast’s face, which it had tossed aside right before their battle. The branch was dead and dried now, but its leaves were still olive and rubbery. He stuck its hard stem in the moist turf and mounded up some dirt to make sure it stayed upright.

The next morning Quentin woke to find a fully grown tree outside his window. Set into its trunk was the face of a softly ticking clock.

He put his hand on the tree’s hard gray trunk, feeling its cool, dusty bark, then let it drop. His time here was over. He packed a few possessions, abandoned others, stole a bow and a quiver of arrows from the shed by the archery range, liberated a horse from the centaurs’ feral sex-herd, and left the Retreat.

<p>THE WHITE STAG</p>
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