Rimsky suddenly reached out and, as if mechanically, tapping his fingers on the table at the same time, pushed the electric-bell button with his palm and went numb. The sharp signal ought to have been heard without fail in the empty building. But no signal came, and the button sank lifelessly into the wood of the desk. The button was dead, the bell broken.

The findirector’s stratagem did not escape the notice of Varenukha, who asked, twitching, with a clearly malicious fire flickering in his eyes:

‘What are you ringing for?’

‘Mechanically,’ the findirector replied hollowly, jerking his hand back, and asked in turn, in an unsteady voice: ‘What’s that on your face?’

‘The car skidded, I bumped against the door-handle,’ Varenukha said, looking away.

‘He’s lying!’ the findirector exclaimed mentally. And here his eyes suddenly grew round and utterly insane, and he stared at the back of the armchair.

Behind the chair on the floor two shadows lay criss-cross, one more dense and black, the other faint and grey. The shadow of the back of the chair and of its tapering legs could be seen distinctly on the floor, but there was no shadow of Varenukha’s head above the back of the chair, or of the administrator’s legs under its legs.

‘He casts no shadow!’ Rimsky cried out desperately in his mind. He broke into shivers.

Varenukha, following Rimsky’s insane gaze, looked furtively behind him at the back of the chair, and realized that he had been found out. He got up from the chair (the findirector did likewise) and made one step back from the desk, clutching his briefcase in his hands.

‘He’s guessed, damn him! Always was clever,’ Varenukha said, grinning spitefully right in the findirector’s face, and he sprang unexpectedly from the chair to the door and quickly pushed down the catch on the lock. The findirector looked desperately behind him, as he retreated to the window giving on to the garden, and in this window, flooded with moonlight, saw the face of a naked girl pressed against the glass and her naked arm reaching through the vent-pane and trying to open the lower latch. The upper one was already open.

It seemed to Rimsky that the light of the desk lamp was going out and the desk was tilting. An icy wave engulfed Rimsky, but — fortunately for him - he got control of himself and did not fall. He had enough strength left to whisper, but not cry out:

‘Help ...’

Varenukha, guarding the door, hopped up and down by it, staying in air for a long time and swaying there. Waving his hooked fingers in Rimsky’s direction, he hissed and smacked, winking to the girl in the window.

She began to hurry, stuck her red-haired head through the vent, reached her arm down as far as she could, her nails clawing at the lower latch and shaking the frame. Her arm began to lengthen, rubber-like, and became covered with a putrid green. Finally the dead woman’s green fingers got hold of the latch knob, turned it, and the frame began to open. Rimsky cried out weakly, leaned against the wall, and held his briefcase in front of him like a shield. He realized that his end had come.

The frame swung wide open, but instead of the night’s freshness and the fragrance of the lindens, the smell of a cellar burst into the room. The dead woman stepped on to the window-sill. Rimsky clearly saw spots of decay on her breast.

And just then the joyful, unexpected crowing of a cock came from the garden, from that low building beyond the shooting gallery where birds participating in the programme were kept. A loud, trained cock trumpeted, announcing that dawn was rolling towards Moscow from the east.

Savage fury distorted the girl’s face, she emitted a hoarse oath, and at the door Varenukha shrieked and dropped from the air to the floor.

The cock-crow was repeated, the girl clacked her teeth, and her red hair stood on end. With the third crowing of the cock, she turned and flew out. And after her, jumping up and stretching himself horizontally in the air, looking like a flying cupid, Varenukha slowly floated over the desk and out the window.

White as snow, with not a single black hair on his head, the old man who still recently had been Rimsky rushed to the door, undid the catch, opened the door, and ran hurtling down the dark corridor. At the turn to the stairs, moaning with fear, he felt for the switch, and the stairway lighted up. On the stairs the shaking, trembling old man fell because he imagined that Varenukha had softly tumbled on top of him.

Having run downstairs, Rimsky saw a watchman asleep on a chair by the box office in the lobby. Rimsky stole past him on tiptoe and slipped out the main entrance. Outside he felt slightly better. He recovered his senses enough to realize, clutching his head, that his hat had stayed behind in the office.

Needless to say, he did not go back for it, but, breathless, ran across the wide street to the opposite comer by the movie theatre, near which a dull reddish light hovered. In a moment he was there. No one had time to intercept the cab.

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