17d05d030193283f60ac573244de53e6 полностью

106. Sidney Hook to Michael Josselson, 23 September 1956, 124.5, Hook Papers.

107. James Farrell to Arthur Schlesinger, Jr., 15 April 1955, box 13, folder Farrell, James, Schlesinger Papers; James Farrell to Arthur Schlesinger, Jr., 6 May 1955, box 13, folder Farrell, James, Schlesinger Papers.

108. James Farrell to Radio Free Europe, 22 June 1956, 3.9, ACCF Papers; Norman Jacobs to James Farrell, 3.9, ACCF Papers; James Farrell to Meyer Schapiro, 10

September 1956, box 3, folder Farrell, James T., Meyer Schapiro Papers, Colum-

278

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bia University; quoted in Christopher Lasch, The Agony of the American Left (New York: Vintage, 1968), p. 79.

109. James Farrell to Norman Jacobs, 28 August 1956, 3.9, ACCF Papers.

110. Norman Jacobs to H. William Fitelson, 5 September 1956, 3.8, ACCF Papers.

111. Quoted in Coleman, Liberal Conspiracy, p. 169.

112. ACCF Board of Directors minutes, 13 December 1960, 78.1, Bertram D. Wolfe Papers, Hoover Institution, Stanford University.

113. Hook, Out of Step, p. 449.

5. The Cultural Cold War

1. See Malcolm Muggeridge, Like It Was: The Diaries of Malcolm Muggeridge, ed.

John Bright-Holmes (London: Collins, 1981), p. 363.

2. Quoted in John L. Cobbs, Understanding John Le Carré (Columbia: University of South Carolina Press, 1998), p. 5.

3. Norman Mailer, Harlot’s Ghost (New York: Random House, 1991), p. 1287. See the descriptions of Pearson and Angleton in Robin W. Winks, Cloak and Gown: Scholars in the Secret War, 1939–1961, 2nd ed. (New Haven, Conn.: Yale University Press, 1996), chaps. 5 and 6.

4. Cord Meyer, Facing Reality: From World Federalism to the CIA (New York: Harper and Row, 1980), pp. 2–3.

5. Frances Stonor Saunders, Who Paid the Piper? The CIA and the Cultural Cold War (London: Granta, 1999), pp. 240–243. Later, when one of Meyer’s recruits, Robie Macauley, became fiction editor of Playboy, the CIA officer wrote congratulating him and offering to send him a story “under an appropriate pseudonym.”

Cord Meyer to Robie Macauley, 19 September 1966, box 1, folder 8, Cord Meyer Papers, Library of Congress, Washington, D.C.

6. Rhodri Jeffreys-Jones, Cloak and Dollar: A History of American Secret Intelligence, 2nd ed. (New Haven, Conn.: Yale University Press, 2003), p. 162. Under the pen name David St. John, Hunt wrote several novels featuring Peter Ward, a would-be American James Bond.

7. Quoted in David Caute, The Dancer Defects: The Struggle for Cultural Supremacy during the Cold War (Oxford: Oxford University Press, 2003), pp. 545, 544.

8. Ibid., p. 544.

9. In a valuable corrective to prevailing interpretations of the “cultural Cold War,”

Michael Krenn has recently pointed out that, even during the height of McCarthyism in the early 1950s, some overt U.S. government patronage of modern American art did carry on, with the State Department and the United States Information Agency sponsoring traveling exhibits through the American Federation of Arts. See Michael L. Krenn, Fall-Out Shelters for the Human Spirit:

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279

American Art and the Cold War (Chapel Hill: University of North Carolina Press, 2005).

10. Quoted in Evan Thomas, The Very Best Men—Four Who Dared: The Early Years of the CIA (New York: Simon and Schuster, 1995), p. 61.